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• Published on: 1600
• Binding: Paperback

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[U129.Ebook] Ebook Free Jim Henson's Labyrinth: The Novelization, by Jim Henson, A.C.H. Smith

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Return to the Kingdom of Whence in this sprawling prequel to Jim Henson’s classic film Labyrinth.

Finally back in print and for the first time in hardcover is the novelization of LABYRINTH written by A.C.H. Smith and personally overseen by Jim Henson. This is the first in a series of novels from the Jim Henson Archives. This beautiful hardcover features unpublished goblin illustrations by legendary illustrator and concept artist Brian Froud and an exclusive peek into Jim Henson’s creative process with 50 never-before-seen pages from his personal journal, detailing the initial conception of his ideas for LABYRINTH.

• Sales Rank: #13845 in Books
• Brand: Archaia Studios Press
• Published on: 2014-04-22
• Released on: 2014-04-22
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x 1.00" w x 5.70" l, 1.10 pounds
• Binding: Hardcover
• 288 pages

Features

• Archaia Studios Press

About the Author
Jim Henson is the founder of The Jim Henson Company and created puppet characters for Sesame Street, The Muppet Show, Fraggle Rock and other programs. Brian Froud is a fantasy illustrator whose work inspired the characters in Jim Henson's "The Dark Crystal" and "Labyrinth." His other works include Faeries and Goblins.

Most helpful customer reviews

25 of 25 people found the following review helpful.
ReadingBifrost- Great for Fans
By Reading Bifrost
“Everything. I have done everything you wanted...You asked that the child be taken. I took him. You cowered before me. I was frightening...I have reordered time...I have turned the world upside down...And I have done it all for you. I am exhausted from living up to your expectations.”

I usually don’t read novelizations of movies, but it’s The Labyrinth! With Jareth! I’m not going to go into detail about the story, plot, and characters as those are basically the same as the movie. What I am going to point out are the major differences that sets the book apart from the movie.

First we have the back story on Sarah’s mother. In the movie we see newspaper clippings and photos in Sarah’s room of “Linda Williams” and the mysterious Jeremy (also played by David Bowie). If you get a chance to look closer at the newspapers it’s apparent that they were in a relationship on and offstage, so Sarah’s mother is an actress- which is where Sarah gets her love of theatre. The book goes into detail and explains the relationship in more detail, such as Sarah and Jeremy get along very well and Jeremy treats Sarah as an adult- taking her to highclass restaurants with her mother. But it also implies that Sarah’s mother left her family for Jeremy, so we can kind of see why Sarah is a bit bratty under the circumstances of being spoiled/hurt.

I really do wish they would have found some way to incorporate the songs into the book. No, I don’t want to be reading the lyrics off of the page or have the characters break out into song, but the music of The Labyrinth is so much a part of the movie that reading its novelization without having even pieces of the music lingering made some scenes fall really flat.

What fans will really want this book for is the early concept art by Brian Froud and Jim Henson’s personal journal pages! I always love watching the extras on DVDs and thumbing through movie-art books. Seeing the early stages of Henson’s ideas on the Labyrinth and Froud’s critters that didn’t make the movie makes the book worth purchasing on its own.

Overall, Jim Henson’s Labyrinth: The Novelization is a great addition to any fans’ collection.

www.ReadingBifrost.com

44 of 46 people found the following review helpful.
A Must-Have for Labyrinth Fans !
By Amazon Customer
I grew up watching the movie 'Labyrinth' and loved the movie so much. As an adult seeking out a book version, I was saddened to find that most copies were upwards of $100. While I loved the movie, that was a bit steep for me. So I was thrilled when I learned that this book was being released.

It was delivered quickly and in great shape - no crushed corners, nothing of that sort. Line for line it is almost dead-on with the movie's dialogue, with some unexpected additions and fun background info that I won't give away here. The text is easy to read, and the illustrations are beautiful - exactly as I'd expect from the artist. Perfect.

The addition of Jim Henson's notes in the book was a fun little extra feature, it's interesting to read and gives the book a more 'behind the scenes' sort of feel.

I like this book so much that I plan on purchasing a permanent clear cover to preserve it, as if I haven't tired of the movie for almost 30 years then I doubt I'd tire of this book. It is surely a keeper!

6 of 6 people found the following review helpful.
A Beautiful New Edition of the Labyrinth Novel That Any Fan Would Love
By Edward B.
I was really happy with this purchase! My sister absolutely adores the Labyrinth film and has been wanting the novel for a long time. The original edition seems quite rare and is fairly expensive. So when I found out this newer edition had been released I picked it up for her right away.

The book itself has a beautiful and sturdy hard cover. The artwork seems to fit the theme of the book quite well. It looks awesome on her bookshelf.

As a bonus, in the back of the book is a copy of notes from Jim Henson. When I originally flipped through the book and saw all the handwriting in the back I was confused at first. I thought someone had actually hand-written notes through the back of the book. After my brain caught up and realized what it was I was overwhelmed with how awesome it was seeing hand-written notes by Jim Henson himself!

If you're a fan of the movie and haven't read the novel I'd say buy this now! You will not regret it!

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[L287.Ebook] Get Free Ebook Jazz: Essential Listening, by Scott DeVeaux, Gary Giddins

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The #1 text in the market―now in an Essentials Edition.

Jazz: Essential Listening provides all the materials students need to listen to, understand, and love jazz. Written by two master storytellers, this new brief text combines a dynamic listening experience with vivid narrative history, must-hear masterworks, and a superior eMedia package to reveal the excitement of America’s quintessential music. Authors Scott DeVeaux and Gary Giddins write with intellectual bite, eloquence, and the passion of unabashed fans. They explain what jazz is, where it came from, how it works, and who created it, all within the broader context of American life and culture.

• Sales Rank: #266438 in Books
• Published on: 2010-12-22
• Original language: English
• Number of items: 1
• Dimensions: 10.90" h x .80" w x 8.00" l, 2.27 pounds
• Binding: Paperback
• 496 pages

Review
This is without a doubt one of the best books on jazz ever written. Gary Giddins and Scott DeVeaux have achieved a monumental feat by creating a history of jazz that will appeal to academicians and aficionados alike. Thoroughly researched and carefully documented, yet written in an entertaining and enjoyable narrative style, this is truly a book for jazz lovers of all backgrounds. By telling the story of jazz in its full cultural, musical, political, social, economic, and historical context, Giddins and DeVeaux have given us one hell of a kick-ass book! -- David Baker, Distinguished Professor and Chair of the Jazz Department, Indiana University

Gary Giddins and Scott DeVeaux's Jazz cuts through the gibberish, racial politics, and ideology that typify so much of contemporary jazz criticism. This excellent book, which not only addresses musical theory but provides insight into the history of the art as well, will serve the general reader but can also be used to stimulate discussion groups and jazz workshops. -- Ishmael Reed, author of Mixing It Up: Taking On the Media Bullies and Other Reflections

Like no other history, Jazz involves the reader right from the start in an active listening role. The parsing of the selected recordings is brilliantly done, and this feature alone makes the book a must, for beginners and seasoned fans. But there's much more, all imbued with the coauthors' love for and understanding of the music, in all its many facets-and as a living, still evolving language. -- Dan Morgenstern, director of the Institute of Jazz Studies, Rutgers University, and author of Liv

In an innovative departure from previous approaches to the history of American Jazz, this eagerly awaited new text by Gary Giddins and Scott DeVeaux offers a unique combination of cutting-edge historical scholarship and experienced journalistic perspectives. This book is destined to become an important resource, one that confronts crucially important musical and social issues in depth-and with passion. -- George E. Lewis, Case Professor of American Music, Columbia University, and author of A Power Str

This extraordinary book is the one we've been waiting for-an exhaustive, multi-disciplinary, judiciously crafted history of jazz and its culture. It is sure to become the industry standard, cherished by students as well as aficionados, who may dispute its judgments but will surely keep it close at hand as an essential reference. -- Krin Gabbard, author of Hotter Than That: The Trumpet, Jazz, and American Culture

About the Author
Scott DeVeaux is a nationally recognized jazz scholar whose 1997 book The Birth of Bebop: A Social and Musical History won the American Book Award, an ASCAP–Deems Taylor Award, the Otto Kinkeldey Award from the American Musicological Society, and the ARSC Award for Excellence in Historical Sound Research. He has taught jazz history at the University of Virginia for more than 25 years.

Gary Giddins is the Executive Director of the Leon Levy Center for Biography at the City University of New York. He was the Village Voice jazz columnist for over 30 years and remains a preeminent jazz critic who received the National Book Critics Circle Award, the Ralph J. Gleason Music Book Award, and the Bell Atlantic Award for Visions of Jazz: The First Century in 1998. His other books include Bing Crosby: A Pocketful of Dreams: The Early Years, 1903–1940, which won the Ralph J. Gleason Music Book Award and the ARSC Award for Excellence in Historical Sound Research; Weatherbird: Jazz at the Dawn of Its Second Century; Faces in the Crowd; Natural Selection; Warning Shadows; and biographies of Louis Armstrong and Charlie Parker. He has won an unparalleled six ASCAP–Deems Taylor Awards, a Guggenheim Fellowship, and a Peabody Award in Broadcasting.

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0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
very detailed

4 of 4 people found the following review helpful.
Good Book With Great On-Line Resources
By C Christensen
We're using this book as the basis of an adult-learning course, together with the Ken Burns' Jazz DVDs. It's a 2-term course, with 28 weeks (56 hours) total. We evaluated many books before selecting this one.

We wanted to emphasize the music itself, and we had pretty much given up on that until we found this book. There are accompanying CDs and DVDs (you have to buy them separately) with interactive listening guides (you read on-screen what's happening with the music as you listen to it) that are great. The text of the listening guides is also in the book, so if you want to watch the selections for free on You Tube while you follow along in the book, you can do that without extra cost.

There are many, many on-line resources on the W.W. Norton website which are free to use in conjunction with the book. There's an extensive library of short videos that show basic jazz concepts, quizzes, flash-cards, song clips, and many really interesting videos of the authors explaining various aspects of jazz.

The book is co-authored by Gary Giddins, one of the premier U.S. jazz critics.

This book and its associated materials have made it possible for our group of non-jazz-experts to learn a TON about the music together. It's been a wonderful resource. I highly recommend it.

1 of 1 people found the following review helpful.
jazz
By I_Am_Simi
I love Jazz and getting the CDs was great! Even if it was for a class. I learned a lot and listened to the CDs a lot too.

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• Sales Rank: #225685 in eBooks
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0 of 3 people found the following review helpful.
Five Stars
By Edward Bush
Good book

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[V506.Ebook] Ebook Download The Lola Quartet, by Emily St. John Mandel

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Canadian-born author Emily St. John Mandel established herself as a talent to watch with the release of Last Night in Montreal, a finalist for ForeWord magazine's Book of the Year Award. Here Mandel crafts an intricate tale about love, loss, and the consequences of seemingly mundane actions.

After being fired from his job, New York journalist Gavin Sasaki reluctantly returns to his hometown of Sebastian, Florida. There Gavin's world is turned upside down when he learns that his high school girlfriend - who went missing 10 years earlier - had a daughter.

• Sales Rank: #57999 in Audible
• Published on: 2012-06-11
• Format: Unabridged
• Original language: English
• Running time: 514 minutes

Most helpful customer reviews

29 of 31 people found the following review helpful.
Talented writer - Interesting Character Study
By My 2 Cents
In Emily St John' Mandel's latest book: The Lola Quartet, four former high school friends who were part of a jazz group in high school, (The Lola Quartet), find their lives intersect after many years, having reconnected under unusual circumstances. When the novel's protagonist, Gavin Sasaki, a journalist from NYC, is fired from his job in 2009, he moves to Sebastian, Florida, when his sister, Elio, offers him a job in her real estate business. His job is working with clients whose homes will soon be foreclosed upon. While in Florida he sees a photo of a young girl about 10 years of age who looks exactly like his sister when she was about the same age. This girl, Chloe Montgomery, bears the same last name as a girl Gavin dated 10 years earlier who mysteriously disappeared almost overnight. At the time rumor was that Anna Montgomery, had been pregnant.

Gavin becomes obsessed with finding out what happened to Anna, and whether this young girl could possibly be his child. In the hopes of learning more about the past, he tracks down former friends from, The Lola Quartet. He is hoping that at least one of the members, Anna's brother will be able to help him find out more about what happened to Anna.

The story is told through a series of flashbacks blending present with the past over a 10-year period. The author is extremely talented, providing an interesting character study of the former friends. It's a story of dreams not turning out as planned, especially when flawed characters have made bad decisions and choices in life. I loved the pitch perfect descriptions of the Florida landscape. The economic situations experienced by many when the housing crisis reached it's peak were dead on accurate.

Although for me, the novel got off to a slow start, the writing and the surprising conclusion are enough reason to recommend this book as one that many readers will enjoy. I definitely plan to try another book by this author.

14 of 14 people found the following review helpful.
A suspenseful story that ends too easily
By TChris
Returning to his hometown in Florida to report a story despite his susceptibility to heatstroke, journalist Gavin Sasaki learns from his sister Eileen that a ten-year-old girl, Chloe Montgomery, may be his daughter. Chloe looks like a younger Eileen and has the last name of Gavin's former girlfriend. Gavin hasn't seen Anna Montgomery since she dropped out of high school, when Gavin was in a jazz quartet with Anna's sister, Sasha. Rattled by the discovery and under the gun to produce good stories or perish in the next round of newsroom layoffs, Gavin begins to play roulette with his career by fabricating sources and quotations.

Meanwhile, a third member of Gavin's former jazz combo, Daniel Smith, is in Utah negotiating with a meth dealer to pay a large debt. Daniel is now a Florida cop. The novel's opening scene lets the reader know that the debt is somehow related to Anna, but its exact nature remains a mystery until much of the story has been told. The final member, piano and sax player Jack Baranovsky, is still in Florida, making a contribution to the story as a pill addict who knows more about Anna's situation -- and his own involvement in it -- than he's prepared to tell Gavin.

Why is Anna on the run? Why does everyone but Gavin seem to know that she was pregnant when she left school? Why is her baby turning up in Florida ten years later? How does acclaimed jazz guitarist Liam Deval fit into Anna's plight? These are the absorbing questions that kept me reading. The novel fills in the backstory as it progresses. Eventually the pieces fit together tightly, leaving the reader to worry about the present danger that occupies the last third of the novel.

Unlike many modern stories of suspense, The Lola Quartet doesn't stretch the bounds of credibility with an outlandish plot. Everything that happens seems real, and that credibility heightens the novel's tension. The characters are equally realistic: they gamble, they use drugs, they ignore inconvenient truths, they betray friends. Their well-developed personalities, complete with failings and flaws, add to the story's authenticity.

The novel's fault is that it builds toward a climax that seems anti-climactic. The real action occurs offstage, perhaps because it is too predictable to make it worth describing. A bit of added drama near the end focuses on a character who has played a minor role until that point; it seems oddly out of place. On the other hand, I wouldn't categorize this novel as a traditional thriller. It is more a story of guilty secrets, of relationships that evolved over time, a novel of characters who are overtaken by events they feel powerless to control. Still, the storyline wraps up too neatly. Given the hardships the characters have endured, it is difficult to accept that their lives work out so well by the end of the novel. The characters are not unscarred, their lives do not suddenly become idyllic, but -- despite Gavin's hand-wringing and moralizing at the end -- the characters resolve their problems more easily than I would have expected.

Despite my mild disappointment with the novel's ending, I admired the characterizations and enjoyed Emily St. John Mandel's fluid writing. The Lola Quartet isn't everything it tries to be but it is nonetheless an entertaining, well-written story.

8 of 8 people found the following review helpful.
nothing but glory days
By Mark P. Sadler
There's no going back. Once high school is over, just like Bruce Springsteen says, there's nothing but `glory days,' rehashing what might have been. The Lola Quartet gave their last performance of the year from the back of the truck and that too was when Gavin last saw his wannabe-girlfriend, Anna, as she stood in the outskirts of the woods. He looked for her but she was just gone. Rumors that she was pregnant where supposedly authenticated when his band mate and best friend Daniel disappeared about the same time.
They all moved on but Gavin more than the others. He got the college degree that sent him to New York to work as a high-powered journalist. Addicted to the infamy, he started glamorizing his stories with quotes that he thought his boring subjects could have said ignoring their real world answers, until the inevitable happened and he had to leave, head hung low.
The shame took him home to swampy steamy Florida from where he escaped to avoid the omnipresent heat. His sister found him work with her firm, flipping homes going into foreclosure, and also showed him a photograph she took of a ten-year-old girl, the spitting image of Gavin; no mistaking the Japanese ancestry. Daniel is now a small town cop, Anna's sister Sasha works nights in the town diner, and the last member of the band, Jack is living a drug-addled life in a tent in a friend's back yard. Gavin uses the skills he learned as a top-notch reporter to put together the big picture and track down what appears to be the daughter he never knew about.
The lives the four led since high school took them down paths no one could have imagined, and what Gavin learns shocks and scares him to the core. Be prepared to be surprised.

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