Senin, 31 Januari 2011

[X464.Ebook] Get Free Ebook Black Film/White Money, by Jesse Rhines

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Black Film/White Money, by Jesse Rhines

Why are there so few Black filmmakers who control their own work? Why are there scarcely any Black women behind the camera? What happens to Black filmmakers when they move from independent production to the mainstream? What does it mean for whites to control Black images and their distribution globally? And, was it always so? Could it be different?


In this vivid portrait of their historic and present-day contributions, Jesse Rhines explores the roles African American men and women have played in the motion picture business from 1915 to the present. He illuminates his discussion by carefully linking the history of early Black filmmaking to the current success of African American filmmakers and examines how African Americans have been affected by changes that have taken place in the industry as a whole. He focuses on the crucial role of distribution companies, the difficulty of raising money for production, the compromises that directors and writers must make to get funding, and the effect of negative, sensationalistic images on the Black community. Many well-known directors, including Spike Lee, Reginald Hudlin, and Grace Blake are interviewed in the book, allowing Rhines to give readers an inside look at how deal making does--or does not--work.


Rhines surveys significant eras in film history and their impact on African Americans, from the silent era and the impact of The Birth of a Nation , through the emergence of the Black-owned Lincoln Motion Picture Company, and the later introduction of sound, to the postwar era, the antitrust suit against Paramount Pictures, the introduction of television, and Blaxploitation movies that won audiences back. He brings the story up to date with present-day blockbusters and the success of Spike Lee, who began as an independent and became a force in the industry, and others who hope to follow in Lee's footsteps. Rhines, who has worked behind the camera himself, reflects on independent filmmaking, the risks of both failure and success, and his hope for positive change in the African African community if more African American filmmakers can come to the forefront in the business.

  • Sales Rank: #9044675 in Books
  • Brand: Brand: Rutgers University Press
  • Published on: 1996-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .76" h x 6.21" w x 9.32" l, 1.03 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
In sober, almost fatigued prose, Rhines, a professor of political economy in the African American and African studies department at Rutgers's Newark campus, traces the roles that African Americans have played-or not played-in all aspects of the movies from 1895 to the present. Rhines efficiently covers an impressive breadth of subjects through considerable original research. He relates an entire troubled history of blacks in cinema from Edison's experiments, silent movies such as The Birth of a Nation and a response to it, Birth of a Race, to Depression and WWII era films, to blaxploitation movies of the '70s such as Shaft and the "gangsta" blockbusters of the '80s and early '90s such as Boyz N the Hood. But Rhines also discusses Hollywood's discriminatory employment practices, the special concerns of black female filmmakers, Spike Lee's failure as a "responsible social critic" and how film distribution "is the greatest obstacle to broad-based success for African American feature filmmakers, film crews, and film cast members." Rhines consistently treats "art" as a product in a "system of economic relations that pits one group against another in the interest of singular economic gain." Neither humanism nor aesthetic experimentation is enough to counteract this colossal problem, he says. Despite this pessimism and his implication that the "system" has a life of its own, Rhines still encourages members of the "black urban underclass" to choose moviemaking as a career. Forty-seven b&w illustrations.

Copyright 1996 Cahners Business Information, Inc.

From the Back Cover
In this vivid portrait of their historic and present-day contributions, Jesse Rhines explores the roles African American men and women have played in the motion picture business from 1915 to the present.

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0 of 0 people found the following review helpful.
Five Stars
By Toni M. Williams
Great book.

0 of 0 people found the following review helpful.
Good book
By Hawkeye
Very interesting, but at times unclear. I learned a lot.

Very informative about the history of black films in America.

3 of 4 people found the following review helpful.
Outstanding research
By David J. Bondelevitch
This is an extremely well researched book regarding the African-American film industry, which is a very neglected area of the business. I highly recommend it.

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Sabtu, 29 Januari 2011

[J991.Ebook] Ebook Free Avery's Diseases of the Newborn with Expert Consult Pins 9ED, by Christine A. Gleason Sherin Devaskar

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Avery's Diseases of the Newborn with Expert Consult Pins 9ED, by Christine A. Gleason Sherin Devaskar

Avery's Diseases of the Newborn

  • Sales Rank: #3438814 in Books
  • Published on: 2012
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, 5.71 pounds
  • Binding: Paperback

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Jumat, 28 Januari 2011

[O774.Ebook] Download PDF Cure: A Journey into the Science of Mind Over Body, by Jo Marchant

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Cure: A Journey into the Science of Mind Over Body, by Jo Marchant

A�New York Times�Bestseller
Finalist for the Royal Society Insight Investment Science Book Prize
Longlisted for the Wellcome Book Prize

A rigorous, skeptical, deeply reported look at the new science behind the mind's surprising ability to heal the body

Have you ever felt a surge of adrenaline after narrowly avoiding an accident? Salivated at the sight (or thought) of a sour lemon? Felt turned on just from hearing your partner's voice? If so, then you've experienced how dramatically the workings of your mind can affect your body.

Yet while we accept that stress or anxiety can damage our health, the idea of "healing thoughts" was long ago hijacked by New Age gurus and spiritual healers. Recently, however, serious scientists from a range of fields have been uncovering evidence that our thoughts, emotions and beliefs can ease pain, heal wounds, fend off infection and heart disease and even slow the progression of AIDS and some cancers.

In Cure, award-winning science writer Jo Marchant travels the world to meet the physicians, patients and researchers on the cutting edge of this new world of medicine. We learn how meditation protects against depression and dementia, how social connections increase life expectancy and how patients who feel cared for recover from surgery faster. We meet Iraq war veterans who are using a virtual arctic world to treat their burns and children whose ADHD is kept under control with half the normal dose of medication. We watch as a transplant patient uses the smell of lavender to calm his hostile immune system and an Olympic runner shaves vital seconds off his time through mind-power alone.

Drawing on the very latest research, Marchant explores the vast potential of the mind's ability to heal, lays out its limitations and explains how we can make use of the findings in our own lives. With clarity and compassion, Cure points the way towards a system of medicine that treats us not simply as bodies but as human beings.

  • Sales Rank: #11374 in Books
  • Published on: 2017-01-10
  • Released on: 2017-01-10
  • Original language: English
  • Dimensions: 7.98" h x .71" w x 5.17" l, .81 pounds
  • Binding: Paperback
  • 320 pages

Review
A New York Post Best Book of 2016
A New York Magazine Best Science Book of 2016
A Mindful.org Top 10 Mindful Book of 2016
A Sunday Times Book of the Year
An Economist Book of the Year
A Spirituality & Health Best�Mind/Body Book of 2016

“Ms. Marchant writes well, which is never a guarantee in this genre… Second, [she] has chosen very moving characters to show us the importance of the research… and she has an equal flair for finding inspirational figures… the studies are irresistible, and they come in an almost infinite variety.”�
—New York Times

“Cure is a cautious, scrupulous investigation of how the brain can help heal our bodies. It is also an important look at the flip side of this coin, which is how brains damaged by stress may make bodies succumb to physical illness or accelerated aging…Cure points a way toward a future in which the two camps [mainstream medicine and alternative therapies] might work together. After all, any medicine that makes a patient better, whether conventional, alternative, or placebo, is simply medicine.”
—Wall Street Journal

“A well-researched page-turner… raises questions about the role of culture, environment and neurochemistry in our responses to treatment—and may very well lead to widespread changes in the ways we practice medicine.”
—Susannah Cahalan, New York Post

“Cure is for anyone interested in a readable overview of recent findings in mind-body phenomena, a reliably enthralling topic… A rewarding read that seeks to separate the wishful and emotion-driven from the scientifically tested.”
—Washington Post

“Research-heavy but never dull, this revelatory work about the mind-body connection explains how the brain can affect physical healing.”
—Entertainment Weekly

“Marchant is a skeptical, evidence-based reporter—one with a background in microbiology, no less—which makes for a fascinating juxtaposition against some of the alternative treatments she discusses.”
—New York Magazine

"A thought-provoking exploration of how the mind can affect the body and can be harnessed to help treat physical illness."
—Economist

“In a wide-ranging and compelling new book, science journalist Jo Marchant explores whether the mind can heal the body… With lively, clear prose, Marchant surveys the evidence for the mind-body connection.”
—Science News

“Fascinating and thought-provoking. Marchant has travelled extensively around Europe and the US, talking to health workers and ordinary folk, to produce this meticulously researched book… Cure is a much-needed counter to a reductionist medical culture that ignores anything that doesn’t show up in a scan… [it] should be compulsory reading for all young doctors.”
—New Scientist

“A�revved-up, research-packed explication of the use of mind in medicine, from meditation to guided visualisation. Marchant’s nimble reportage on the work of scientists in novel fields such as psychoneuroimmunology and her discussion of placebos are as fresh as her reminders of how stress and poverty affect wellbeing are timely."
—Nature

“Could my belief that I’m going to feel better in itself heal me? It’s a fascinating question, and one that British author Jo Marchant takes on with aplomb in her new book,�Cure.”
—Spirituality & Health�

“Writing with simplicity, clarity and style, and covering an enormous range of material, [Marchant] surveys with grace what we think we know, and what we would like to know, about the mysterious and troubling relationship between our minds and our bodies… [She] is level-headed, always with one foot planted in the worlds of science and reason. Though open-minded, she is rigorous, her gently skeptical tone reassures, and she gracefully skewers quackery.”
—The Guardian

“Thought-provoking… This new generation of evidence-based mind-body researchers has produced some remarkable findings, which Marchant analyses with elegance and lucidity."
—Times Literary Supplement

“Jo Marchant makes her case so cogently that it is hard to disagree [with her]… The author has a gift for writing that is both clear and vivid, and communicates complex ideas in a way that is comprehensible and uncondescending… This is surely an area of medicine whose time has come.”
—The Independent

"A diligent and useful work that makes the case for 'holistic' medicine while warning against the snake-oil salesmen who have annexed that word for profit."
—Sunday Times

“This is an important book, and one that will challenge those dismissive of efforts to investigate how our thoughts, emotions and beliefs might directly influence our physical wellbeing… The evolving science explored in�Cure�is intriguing and trailblazing, and Marchant's account of its pursuit is often gripping… There's a lot to this impressive book, and it has the potential to have the same dramatic impact on our understanding of our self as Norman Doidge's blockbuster,�The Brain that Changes�Itself.”�
—Sydney Morning Herald

"Marchant explores the possibilities of psychology-based approaches to improving physical well-being in this open-minded, evidence-based account… A�powerful and critically needed conceptual bridge for those who are frustrated with pseudoscientific explanations of alternative therapies but intrigued by the mind’s potential power to both cause and treat chronic, stress-related conditions."
—Publishers Weekly�(starred review)

"A balanced, informative review of a controversial subject."
—Kirkus Reviews

"Cure�represents a journey in the best sense of the word: a vivid, compassionate, generous exploration of the role of the human mind in both health and illness. Drawing on her training as a scientist and a science writer, Marchant meticulously investigates both promising and improbable theories of the mind’s ability to heal the body. The result is to illuminate a fascinating approach to medicine, full of human detail, integrity, and ultimately, hope.”
—Deborah Blum, author of The Poisoner’s Handbook and Love at Goon Park

“This is popular science writing at its very best.�Cure�beautifully describes the cutting-edge research going on in the fascinating—and until now, often unexplored—area of mind-body medicine. I would recommend this book to anybody who has a mind and a body.”
—Henry Marsh, author of�Do No Harm: Stories of Life, Death, and Brain Surgery�

About the Author
Jo Marchant is the author of Decoding the Heavens, shortlisted for the Royal Society Prize. She has a PhD in genetics and medical microbiology and has written on everything from the future of genetic engineering to underwater archaeology for New Scientist, Nature, The Guardian, and Smithsonian. She has appeared on BBC Radio, CNN, and National Geographic. She lives in London.

Excerpt. � Reprinted by permission. All rights reserved.
Chapter 2�


Linda Buonanno hugs me as soon as we meet, and shows me upstairs to her small, first-floor apartment in a housing block just off the freeway in Methuen, Massachusetts. Her living space is tidy but densely packed with framed photos, scented candles and an overwhelming preference for the color green. She sits me at the table, in front of a perfectly laid out tea set and a plate of ten macaroons. The 67-year-old is plump with short, auburn hair and a girlish giggle. “Everyone thinks it’s dyed, but it isn’t,” she tells me. She hovers until I try a macaroon, then sits down opposite and tells me about her struggles with irritable bowel syndrome (IBS).

She talks fast. Her symptoms first struck two decades ago, when her marriage of 23 years broke down. Although she dreamed of being a hair- dresser, she was working shifts in a factory, running machinery that made surgical blades, juggling the 60-hour week with a court battle and caring for the two youngest of her four children. “I went through� hell,” she says. Within a year of the split, she started suffering from intestinal pains, cramps, diarrhea and bloating.

The condition has affected her ever since, especially at stressful times such as when she was laid off from the factory. Their jobs outsourced to Mexico, the group of women with whom she had worked and bonded was scattered. She retrained as a medical assistant, hoping to find work in a
chiropractor’s office, but once she qualified she found that no one was�hiring. When she did finally find a part-time job, she had to give it up because of the pain from her IBS.

The condition has destroyed her social life too. When the symptoms are bad, “I can’t even leave the house,” she says. “I’d be keeling over in pain, running to the bathroom all the time.” Even buying groceries re- quires staying within reach of a bathroom, and she lists the local facilities: one in the Market Basket, one in the post office down the street. “This is�20 years I’ve been doing this,” she says. “It’s a horrible way to live.” Now she has to juggle the condition with looking after her elderly parents— her mother lives alone, while her father, who suffers from dementia, is in a nursing home. Linda’s brother was killed in Vietnam, and her twin sister died of cancer 18 years ago, so she is the only one left to help them.

She brightens. “But I travel,” she says. “I go to England, I do every- thing. I love it.” I’m thrown by this statement until I realize that she’s talking about Google maps. I ask her to show me, and we move over to her computer, which sits on a desk squeezed between the sofa and the micro- wave. She fires up the maps program and lands us on top of Buckingham Palace in London.

Suddenly I get a sense of how much time Linda has spent in this flat. She knows the layout of the palace intimately, zooming in to try to peek through the windows, then flying around the back to check out the private gardens. Other favorite destinations include the Caribbean island of Aruba, and the celebrity mansions of Rodeo Drive. Sometimes she looks up the addresses of her old workmates from the factory, friends who when they lost their jobs moved away to Kentucky or California, places that because of her IBS, and the demands of her parents, she can never visit for real.

Over the years, Linda has, like many patients with irritable bowel syn- drome, been passed from doctor to doctor. She has been tested for intol- erances and allergies, and has tried cutting out everything from gluten and fat to tomatoes. But she found no relief until she took part in a trial led by Ted Kaptchuk, a professor at Harvard Medical School in Boston. It was a trial that would revolutionize the world of placebo research.

• ��� • ��� •

“You know I’m deviant?” Ted Kaptchuk looks straight at me and I get the sense that he is rather proud of this fact.1 “Yes,” I answer. It’s hard to read anything about the Harvard professor without coming across his unusual past. In fact it seeps from every corner of our surroundings—the house where he lives and works, on a leafy side street in Cambridge, Mas- sachusetts.

I’m asked to remove my shoes as I enter, and offered a cup of Earl Grey tea. Persian rugs cover the wooden floors, and proudly displayed in the hall is a huge brass tea urn. The d�cor is elegant, featuring period furniture, modern art and shelves filled with books—rows of hardbound doorstops embossed with gold Chinese lettering next to English volumes, from The Jewish Wardrobe to Honey Hunters of Nepal. Through the win- dow I glimpse the nuanced greens and pinks of a manicured ornamental garden that might be more at home in Japan.

Kaptchuk himself has gold rings, big brown eyes and a sweep of gray- ing hair topped by a black skullcap. He likes to quote from historical man- uscripts, and his answers to my questions are accompanied by long pauses and a furrowed brow. I ask him to tell me his own version of the path that brought him here and he says it started when he was a student and he traveled to Asia to study traditional Chinese medicine.

It’s a decision he attributes to “sixties craziness. I wanted to do some- thing anti-imperialist.” He was also interested in Eastern religions and phi- losophies, and the thinking of the Chinese Communist leader Mao Zedong. “Now I think that was a really bad reason to study Chinese medicine. But I didn’t wanted to be co-opted, I didn’t want to be part of the system.”

After four years in Taiwan and China, he returned to the U.S. with a degree in Chinese medicine and opened a small acupuncture clinic in Cambridge. He saw patients with all sorts of conditions, mostly chronic complaints from pain to digestive, urinary and respiratory problems. Over the years, however, he became more and more uncomfortable with his role as a healer. He was good at what he did—perhaps too good. He would see dramatic cures, sometimes before patients had even received their treatment. “I would have patients who left my office totally differ- ent,” he says. “Because they sat and talked to me, and I wrote a prescrip- tion. I was petrified that I was psychic. I thought, Shit, this is crazy.”

Ultimately, Kaptchuk concluded that he didn’t have paranormal pow- ers. But equally, he believed that his patients’ striking recoveries didn’t have anything to do with the needles or the herbs he was prescribing. They were because of something else, and he was interested in finding out what that something was.

In 1998, Harvard Medical School, just down the street from Kaptchuk’s clinic, was looking for an expert in Chinese medicine. The U.S. �National Institutes �of Health (NIH) �was opening a center dedi- cated to funding scientific research into alternative and complementary medicine. Although tiny compared to existing NIH centers investigating cancer, for example, or genetics, it promised to be a useful new source of research dollars for Harvard. “But no one there knew a thing about Chinese medicine or any kind of alternative medicine,” says Kaptchuk. “So they hired me.”

Rather than study Chinese medicine directly, however, he decided to investigate the placebo effect, to find out whether this could explain why his patients did so well. Whereas Benedetti is interested in the molecules and mechanics of the placebo effect, Kaptchuk’s focus is on people. The questions he asks are psychological and philosophical. Why should the expectation of a cure affect us so profoundly? Can the placebo effect be split into different components? Is our response affected by factors such as the type of placebo we take, or the bedside manner of our doctor?

In one of his first trials, Kaptchuk compared the effectiveness of two different kinds of placebo—fake acupuncture and a fake pill—in 270 pa- tients with persistent arm pain.2 �It’s a study that makes no sense from a conventional perspective. When comparing two inert treatments— nothing with nothing—you wouldn’t expect to see any difference. Yet Kaptchuk did see a difference. Placebo acupuncture was more effective for reducing the patients’ pain, whereas the placebo pill worked better for helping them to sleep.

This is the problem with placebo effects—in trials they are elusive and ephemeral, rarely disappearing completely but often altering their shape. They change depending on the type of placebo, and they vary in strength between people, conditions and cultures. For example, the percentage of people who responded to placebo in trials of a particular ulcer medication�ranged from 59% in Denmark to just 7% in Brazil.3 The same placebo can have positive, zero or negative effects depending on what we’re told about it, and the effects can change over time. Such shifting results have helped to create an aura around the placebo effect as something slightly unscientific if not downright crazy.

But it isn’t crazy. What these results actually show, says Kaptchuk, is that scientists have long gotten their understanding of the placebo effect backwards. When he arrived at Harvard, he says, the experts there told him that the placebo effect “was the effect of an inert substance.” It’s a commonly used description but one that Kaptchuk describes as “com- plete nonsense.” By definition, he points out, an inert substance does not have any effect.

What does have an effect, of course, is our psychological response to those inert substances. Neither fake acupuncture nor a fake pill is in itself capable of doing anything. But patients interpret them in different ways, and that in turn creates different changes in their symptoms.

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66 of 67 people found the following review helpful.
Current Science on the Importance of the Mind in Fighting Disease and Staying Well
By Spencer in Seattle
As someone with an autoimmune disease (multiple sclerosis), I read quite a bit in the areas of health and medicine, alternative medicine, and the history of medicine. This book, written by a British journalist who also has a PhD in microbiology, gives us a vibrant look at the powers of the mind in healing. She studies the current research and presents it in an accessible way. I'm not at all surprised that this book has rocketed to several top-seller lists.

Note that this book deals a lot with the powers of the placebo effect. The point here is not that doctors should be tricking everyone who is ill, just to make them feel good. Instead, the idea is that the placebo effect shows us certain things that can be harnessed to lead to wellness. For instance, being cared for really helps people heal, as does having belief and simply doing something to try to help with the problem. Our expectations are vitally important when it comes to healing, as are our previous experiences. Many factors determine how we respond to medical treatment and neglect. This book is about understanding those elements and bringing them into regular medical care instead of just relying on fake pills, as we can learn a lot from the placebo effect.

Here are the main things I see as take-aways in this book:
==========================================================

● Because of the importance of the mind/body connection, the placebo effect, and the studies cited by the author, it's extremely important to find a great healthcare provider you really trust. If you don't do this, your chances of doing well are simply undermined because you won't have belief in the person you're working with, and you might not even have belief in yourself. A good provider needs to be empathic and supportive, as their attitude is really beneficial to people going through treatment. The style and quality of your care provider matters a lot.

● For those of us with a serious disease, doing something about it is so much better and more important than doing nothing. This is because doing something -- if it's taking a drug or following a lifestyle "cure" -- harnesses the powers of the mind and body to work for you. Doing what you believe in really matters.

● For some things, the mind/body connection is really helpful: Things like pain, depression, fatigue, nausea, and generally "how we feel" are the most able to be influenced by mind/body interaction.

● Following from this, autoimmune responses are often influenced by the mind/body connection. Said another way, autoimmune diseases are particularly susceptible to mind/body interaction

● For other things, the mind/body connection is much less relevant. Things like infections need antibiotics and things like broken bones need casts.

● Stress is a real killer, as is emphasized in this book over and over. Stress is rooted in our flight-or-fight ancestry, switching on to save our lives. But switching this response on for a long time can result in things like high blood pressure and really damaging your body. With chronic stress, inflammation kicks in, which is not really what you want all the time (especially for those with MS). Stress can even rewire the brain (based on brain-scan research), and this has been documented.

For people with MS in particular and autoimmune diseases in general, there are a few particular take-aways in this book:
==========================================================

● Biofeedback and meditation can be particularly helpful, but you really need to "put in the hours" giving them time to rewire your brain and whole self. These practices don't heal us over night. You really need to take time to rewire your brain away from a stressed-out neural network.

● When people with MS have flare-ups, not getting too anxious about it is vitally important. This is for two reasons: 1) imagining improvement and thinking positively can actually bring it about, and 2) this point of view can help mitigate stress, thus keeping the exacerbation from getting worse

● With MS, inflammation is the real source of the problem (as our white blood cells are attacking the central nervous system), and stress has been shown to cause swelling. As a result, limiting stress is utterly vital for those of us with MS. Negative worries and anxieties can be equally destructive. Stress kills us in particular, because of the way MS works.

● Treating MS in ways you believe in really matters. Belief and healing go hand in hand. For me, this means that mainstream and alternative approaches can all "work" or be helpful, as long as you are invested in them and coming from a position of belief and positivity.

● Being cared for well is also essential, as the placebo effect is tapped into when you're feeling cared for.

2 of 2 people found the following review helpful.
Serious, Compelling and Mind-Changing Book
By Anne Mills
This book is a great introduction to mind/body phenomena in medicine, because it approaches the topic from a rigorously scientific, evidence-based standpoint. Ms. Marchant is a science and history journalist with a doctorate in microbiology, and without any touch of New Agey credulity. She looks at the ways in which the mind can affect the body's ability to cure itself, looking at individual case histories and at studies of many cases. Much of the evidence she cites is compelling; her arguments are strong enough to make me consider a non-traditional approach to my chronic hip pain, and for someone as science-based as I, that's quite a concession.
Beyond convincing arguments and evidence, Ms. Marchant has written an eminently readable and engrossing book. She makes one thing very clear: the antipathy of the current medical establishment to non-traditional medicine, even when it is shown to be helpful. This is based on the sad fact that it is at present very difficult to make money from an approach that leans to fewer pills, less intervention, and more human contact. Perhaps efforts at cost saving will bring this approach more into the limelight. In the meantime, this book is well worth reading, particularly for those with intractable medical issues.

57 of 61 people found the following review helpful.
Marchant gives us the facts about mind-body interaction... and much more
By Mister Charlie
I thoroughly enjoyed this wide-ranging inquiry into the myriad ways the "workings of the mind" can affect your body.

Jo Marchant,, a PhD in genetics and medical microbiology, and a seasoned author, began her investigation into these phenomena with a great deal of skepticism towards "alternative medicine", and through the course of the book helps the reader understand what pieces of the non-traditional pie are worth further investigation.

If you are skeptical about whack-a-doodle ideas related to your health, Marchant is the ideal author to open your eyes to the possibility that there are clinically-tested ways in which some seemingly whack-a-doodle ideas have proven their mettle. She is ideal because her writing is lively and engaging, and she maintains the open mind and clear eye of the scientist you wish more scientists would emulate.

Throughout the book, though, you can see the challenges presented by the massive medical Establishment and the pharmaceutical industry. Not only are doctors hesitant (or downright hostile) to adopt alternative mind-based practices into their regimen, but there is very little interest in funding research where, at the end of it, no drug can be marketed and profited from. And in this way, the book transforms itself from an "isn't it interesting what the mind can do?" book to more of a wake-up call for the entire medical industry.

Clearly in our society we are dangerously over-medicated. Marchant tells us "the top ten highest grossing drugs in the US help only between 1 in 25 and 1 in 4 of the people who take them." and "psychiatric drugs are responsible for more than half a million deaths in the western world each year." and "Medical errors in hospital are estimated to cause more than 400,000 deaths per year in the US alone". and "According to the US FDA, there are another 2 million serious cases of adverse drug reactions in the US each year, including 100,000 deaths". Even if only 1% of this was true, I wonder why people aren't absolutely outraged and demanding a change in how our medical industry functions.

Here's hoping Marchant's book falls into as many hands as possible, and helps to initiate that change.

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Jumat, 21 Januari 2011

[B606.Ebook] Download PDF Tru Blue, by Melissa Foster

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Tru Blue, by Melissa Foster

TRU BLUE is a sexy, dark stand-alone novel written in the same loving, raw, and emotional voice romance readers have come to love, and the deeply emotional literary prose women's fiction readers have come to expect, from New York Times & USA Today bestselling, award-winning author Melissa Foster.

"With her wonderful characters and resonating emotions, Melissa Foster is a must-read author!" New York Times Bestseller Julie Kenner

"Melissa Foster is synonymous with sexy, swoony, heartfelt romance!" New York Times Bestseller Lauren Blakely

He wore the skin of a killer, and bore the heart of a lover...

There's nothing Truman Gritt won't do to protect his family--Including spending years in jail for a crime he didn't commit. When he's finally released, the life he knew is turned upside down by his mother's overdose, and Truman steps in to raise the children she's left behind. Truman's hard, he's secretive, and he's trying to save a brother who's even more broken than he is. He's never needed help in his life, and when beautiful Gemma Wright tries to step in, he's less than accepting. But Gemma has a way of slithering into people's lives and eventually she pierces through his ironclad heart. When Truman's dark past collides with his future, his loyalties will be tested, and he'll be faced with his toughest decision yet.

**
"You can always rely on Melissa Foster to deliver a story that's fresh, emotional and entertaining. Make sure you have all night, because once you start you won't want to stop reading. Every book's a winner!" NYT Bestselling Author Brenda Novak

  • Sales Rank: #79596 in Books
  • Published on: 2016-11-09
  • Released on: 2016-11-09
  • Original language: English
  • Dimensions: 8.50" h x .59" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 260 pages

Most helpful customer reviews

49 of 49 people found the following review helpful.
Spellbinding story with a lot of heart!
By Anne in Virginia
While all Melissa’s books contain deep love, this book stands out as the one with the most heart. Truman Gritt is a man that faced down his demons and a prison sentence and rose from the ashes victorious. While he didn’t escape unscathed, he didn’t lose his ability to love and to love with everything he had. A protector to the core, he fights for everyone he loves. Gemma’s heart rivals the size of Truman’s. She takes Truman and his siblings into her heart and holds them close, completes them. Gemma and Truman come from opposite worlds, but together they make a family full of love, loyalty and heart. I laughed, I cried, I fell in love.

38 of 38 people found the following review helpful.
OMG, OMG, OMG!!! This book is absolutely amazing!
By Xtymom
I know I've said it before, but there was no way I was putting this book down for anything. I got it at midnight and read straight through. This book is absolutely amazing! I think Tru Blue has to be the best book I've read in so long. The paintings and sketches and their descriptions were incredible. And the descriptions of Tru's tattoos and what they meant, all of those just killed me. Melissa Foster is an incredibly talented writer to draw so many emotions out while reading those scenes. I felt like I was living his pain and his redemption. I know I'm talking right now, but I really am at a loss for words over this whole book. It's just that good! And Gemma and everything she went through, I just can't imagine it and she is so loving and caring. Each thing she revealed about her childhood just devastated me, just like with Tru. Tru's interactions with Kennedy and Lincoln and how much he loves and protects them instantly after learning about them is so touching and heart warming. He melts my heart every time he lovingly looks at or even touches them. The game that Tru and Gemma played was so sweet and touching. I cried so many times while reading this because it's so heart wrenching, gritty and powerful. Wow!! I love Melissa's Bradens and all the rest, but this book is just...Wow!!

49 of 50 people found the following review helpful.
TRUMAN GRITT, PROTECTOR, BROTHER, FATHER AND LOVER
By Maria Ria Alexander
Melissa Foster has written an absolutely spellbinding story about a man who has sacrificed everything for his family, includng his own happiness. She has such a way with her words in this story that I was unable to put the book down - it would have to be the best novel of hers that I have read, and believe me, I have read nearly all of them. It is a story of heartache, betrayal, loyalty, firendship and most importantly love. It is one that will pull at your heartstrings and have you so angry that you could throw your book across the room. You will laugh, cry, be shocked and amazed and feel passion and desire.

Truman "Tru" Gritt was a man I fell in love with. Coming from a family that was terribly broken, Tru has become fiercely protective of those he grows to love and care for. From the opening chapter, where Tru's life changes dramatically to the final one where he has finally managed to obtain all that he has ever wanted, this man won my heart. His fierce protective instincts combined with his gentle nature are what endeared him to me. He was quite simply a fighter with a heart of gold. A man who met the true love of his life by sheer accident and in quite funny circumstances.

Gemma Wright, a strong young woman who was fighting a battle of her own. Gemma left her family behind and moved to a new town to begin a new life - one which she could be proud of. She owns a local Princess shop, where she holds "princess parties". But Gemma has a heartbreaking pain that she lives with daily, her inability to have children. She meets Tru and together they become the family that they have both always desired. There are numerous funny circumstances between the two, but it is the heat and the desire between them that really got my heart pumping. These two together are enough to make a volcano explode.

Just when life seems to be floating along nicely, Tru's past comes back to haunt him. He has already told Gemma one of his secrets, but he has not told her the largest one - afraid that she will no longer want to remain with him. But his secret is told - and not by him. Will this revelation tear the two apart? Can Tru leave his past behind him and forge a future together with Gemma?

This book was exceptional. One that will always remain close to my heart. It is so much more than a romance story, it is a story of the greatest kind of love that a person can have - understanding and acceptance of another's past.

I cannot wait to read more from Melissa Foster, especially if she is going to write about some of the supporting characters in this novel.

FIVE STARS are fully deserved for this magnificent story.

Review written for Reading Is Our Satisfaction Blog

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[Y250.Ebook] Download London's War: The Shelter Drawings of Henry Moore, by Julian Andrews

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London's War: The Shelter Drawings of Henry Moore, by Julian Andrews

During the Second World War, Henry Moore created a series of drawings documenting the plight of Londoners sheltering in the Underground. This is the first book to examine Moore's shelter drawings within the context of the Blitz.

  • Sales Rank: #2403929 in Books
  • Published on: 2002-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 10.25" w x .75" l, 1.44 pounds
  • Binding: Paperback
  • 144 pages

Review
'Mr Andrews has given readers not just the first book on these works but a superb survey of the drawings and the artist behind them.' Contemporary Review

About the Author
During a long career with the British Council, Julian Andrews worked closely with The Henry Moore Foundation on the organisation of exhibitions of the artist's work in many parts of the world. His previous publications include Sutherland: The Wartime Drawings, with Roberto Tassi, and The Sculpture of David Nash, also published by Lund Humphries.Julian Andrews' interest in the Shelter Drawings of Henry Moore went back to his own childhood experience of taking shelter on the Underground during the Blitz of 1940-41.

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2 of 2 people found the following review helpful.
Passing on a review of this book: "A Superb Survey"
By Mary Emerson-Smith
London's War: The Shelter Drawings of Henry Moore - Reviews - Brief Article - Book Review

Contemporary Review, �Nov, 2003 �

London's War: The Shelter Drawings of Henry Moore. Julian Andrews. Lund Humphries. [pounds sterling]25.00 p.b. 144 pages. ISBN 0-85331-844-1. Among the most popular visual pictures of the Second World War are those showing Londoners finding safety in the city's underground. These drawings were made between the autumn of 1940 and the summer of 1941 and came to number more than 300. Moore made them at the request of the War Artists Advisory Committee. Mr Andrews admits that not all the drawings are good but they do show how an artist came to terms with a situation in which people were 'having things done to them that they were quite powerless to resist'. Although the drawings began as a private affair based on a chance journey on the Tube, they soon became famous and a source of needed income. By comparing the drawings to actual photographs and by including much valuable information about the works, the artist and the war, Mr Andrews has given readers not just the first book on these works but a superb survey of the drawings and the artist behind them. (P.P.F.)

COPYRIGHT 2003 Contemporary Review Company Ltd.

COPYRIGHT 2004 Gale Group

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Sabtu, 08 Januari 2011

[A626.Ebook] Free Ebook WarCraft War of the Ancients Archive, by Richard A. Knaak

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WarCraft War of the Ancients Archive, by Richard A. Knaak

Months have passed since the cataclysmic Battle of Mount Hyjal, which put an end to the Burning Legion's invasion. Most Legion forces on Azeroth have been slain or driven into hiding. Yet now a mysterious energy rift in the mountains of Kalimdor propels three heroes to the distant past: the dragon mage Krasus, the human wizard Rhonin, and the weathered orc veteran Broxigar. It is a time long before orcs, humans, or even high elves roamed the world. A time that marks the Legion's first invasion of Azeroth, brought about by Queen Azshara and other night elf nobles. A time when the Dragon Aspects are at the height of their power -- unaware that one of their own will soon turn on the world he was charged to protect.

  • Sales Rank: #50130 in Books
  • Published on: 2007-12-11
  • Released on: 2007-12-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.80" w x 6.00" l, 1.66 pounds
  • Binding: Paperback
  • 736 pages

About the Author
Richard A. Knaak is the New York Times bestselling author of some three dozen novels, including the The Sin War trilogy for Diablo and the Legend of Huma for Dragonlance. He has penned the War of the Ancients trilogy, Day of the Dragon and its upcoming followup, Night of the Dragon. His other works include his own Dragonrealm series, the Minotaur Wars for Dragonlance, the Aquilonia trilogy of the Age of Conan, and the Sunwell Trilogy -- the first Warcraft manga. In addition, his novels and short stories have been published worldwide in such diverse places as China, Iceland, the Czech Republic, and Brazil.�

Excerpt. � Reprinted by permission. All rights reserved.

The Well of Eternity

ONE

The tall, forbidding palace perched atop the very edge of the mountainous cliff, overlooking so precariously the vast, black body of water below that it appeared almost ready to plummet into the latter's dark depths. When first the vast, walled edifice had been constructed, using magic that melded both stone and forest into a single, cohesive form, it had been a wonder to touch the heart of any who saw it. Its towers were trees strengthened by rock, with jutting spires and high, open windows. The walls were volcanic stone raised up, then bound tightly by draping vines and giant roots. The main palace at the center had originally been created by the mystical binding of more than a hundred giant, ancient trees. Bent in together, they had formed the skeleton of the rounded center, over which the stone and vines had been set.

A wonder to touch the hearts of all when first it had been built, now it touched the fears of some. An unsettling aura enshrouded it, one heightened this stormy night. The few who peered at the ancient edifice now quickly averted their gaze.

Those who looked instead to the waters below it found no peace, either. The ebony lake was now in violent, unnatural turmoil. Churning waves as high as the palace rose and fell in the distance, crashing with a roar. Lightning played over its vast body, lightning gold, crimson, or the green of decay. Thunder rumbled like a thousand dragons and those who lived around its shores huddled close, uncertain as to what sort of storm might be unleashed.

On the walls surrounding the palace, ominous guards in forest-green armor and wielding lances and swords glared warily about. They watched not only beyond the walls for foolish trespassers, but on occasion surreptitiously glanced within...particularly at the main tower, where they sensed unpredictable energies at play.

And in that high tower, in a stone chamber sealed from the sight of those outside, tall, narrow figures in iridescent robes of turquoise, embroidered with stylized, silver images of nature, bent over a six-sided pattern written into the floor. At the center of the pattern, symbols in a language archaic even to the wielders flared with lives of their own.

Glittering, silver eyes with no pupils stared out from under the hoods as the night elves muttered the spell. Their dark, violet skin grew covered in sweat as the magic within the pattern amplified. All but one looked weary, ready to succumb to exhaustion. That one, overseeing the casting, watched the process not with silver orbs like the rest, but rather false black ones with streaks of ruby running horizontal along the centers. But despite the false eyes, he noted every detail, every inflection by the others. His long, narrow face, narrow even for an elf, wore an expression of hunger and anticipation as he silently drove them on.

One other watched all of this, drinking in every word and gesture. Seated on a luxurious chair of ivory and leather, her rich, silver hair framing her perfect features and the silken gown -- as golden as her eyes -- doing the same for her exquisite form, she was every inch the vision of a queen. She leaned back against the chair, sipping wine from a golden goblet. Her jeweled bracelets tinkled as her hand moved and the ruby in the tiara she wore glistened in the light of the sorcerous energies the others had summoned.

Now and then her gaze shifted ever so slightly to study the dark-eyed figure, her full lips pursing in something approaching suspicion. Yet, when once he suddenly glanced her way, as if sensing her observation, all suspicion vanished, replaced by a languid smile.

The chanting continued.

The black lake churned madly.

There had been a war and it had ended.

So, Krasus knew, history would eventually record what had happened. Almost lost in that recording would be the countless personal lives destroyed, the lands ravaged, and the near-destruction of the entire mortal world.

Even the memories of dragons are fleeting under such circumstances, the pale, gray-robed figure conceded to himself. He understood that very well, for although to most eyes he resembled a lanky, almost elven figure with hawklike features, silvering hair, and three long scars traveling down his right cheek, he was much more than that. To most, he was known as a wizard, but to a select few he was called Korialstrasz -- a name only a dragon would wear.

Krasus had been born a dragon, a majestic red one, the youngest of the great Alexstrasza's consorts. She, the Aspect of Life, was his dearest companion...yet once again he dragged himself away from her to study the plights and futures of the short-lived races.

In the hidden, rock-hewn abode he had chosen for his new sanctum, Krasus looked over the world of Azeroth. The gleaming emerald crystal enabled him to see whatever land, whatever individual, he desired.

And everywhere that the dragon mage looked, he saw devastation.

It seemed as if it had only been a few years ago when the grotesque, green-skinned behemoths called orcs, who had invaded the world from beyond, were defeated. With their remaining numbers kept in encampments, Krasus had believed the world ready for peace. Yet, that peace had been short-lived. The Alliance -- the human-led coalition that had been the forefront of the resistance -- had immediately begun to crumble, its members vying for power over one another. Part of that had been the fault of dragons -- or the one dragon, Deathwing -- but much had simply been the greed and desire of humans, dwarves, and elves.

Yet, even that would have passed with little concern if not for the coming of the Burning Legion.

Today, Krasus surveyed distant Kalimdor, located on the far side of the sea. Even now, areas of it resembled a land after a terrible volcanic eruption. No life, no semblance of civilization, remained in those areas. It had not been any natural force, however, that had rent the land so. The Burning Legion had left nothing in its wake but death.

The fiery demons had come from a place beyond reality. Magic was what they sought, magic they devoured. Attacking in conjunction with their monstrous pawns, the Undead Scourge, they had thought to lay waste to the world. Yet, they had not counted on the most unlikely alliance of all...

The orcs, once also their puppets, had turned on them. They had joined the humans, elves, dwarves, and dragons to decimate the demonic warriors and ghoulish beasts and push the remnants back into the hellish beyond. Thousands had perished, but the alternative...

The dragon mage snorted. In truth, there had been no alternative.

Krasus waved long, tapering fingers over the orb, summoning a vision of the orcs. The view blurred momentarily, then revealed a mountainous, rocky area farther inland. A harsh land, but one still full of life and capable of supporting the new colonists.

Already, several stone structures had risen in the main settlement, where the Warchief and one of the heroes of the war, Thrall, ruled. The high, rounded edifice that served as his quarters was crude by the standards of any other race, but orcs had a propensity toward basics. Extravagance to an orc was having a permanent place to live at all. They had been nomads or prisoners for so long that the concept of "home" had been all but lost.

Several of the massive, greenish figures tilled a field. Watching the tusked, brutish-looking workers, Krasus marveled at the concept of orc farmers. Thrall, however, was a highly unusual orc and he had readily grasped the ideas that would return stability to his people.

Stability was something the entire world needed badly. With another wave of his hand, the dragon mage dismissed Kalimdor, summoning now a much closer location -- the once proud capital of his favored Dalaran. Ruled by the wizards of the Kirin Tor, the prime wielders of magic, it had been at the forefront of the Alliance's battle against the Burning Legion in Lordaeron and one of the first and most prized targets of the demons in turn.

Dalaran lay half in ruins. The once-proud spires had been all but shattered. The great libraries burned. Countless generations of knowledge had been lost...and with them countless lives. Even the council had suffered badly. Several of those Krasus had counted as friends or at least respected colleagues had been slain. The leadership was in disarray and he knew that he would have to step in to lend a hand. Dalaran needed to speak with one voice, if only to keep what remained of the splintered Alliance intact.

Yet, despite the turmoil and tribulations still ahead, the dragon did have hope. The problems of the world were surmountable ones. No more fear of orcs, no more fear of demons. Azeroth would struggle, but in the end, Krasus not only thought it would survive, he fully believed it would thrive.

He dismissed the emerald crystal and rose. The Dragon Queen, his beloved Alexstrasza, would be awaiting him. She suspected his desire to return to help the mortal world and, of all dragons, she most understood. He would transform to his true self, bid her farewell -- for a time -- and depart before regrets held him back.

His sanctum he had chosen not only for its seclusion, but also for its massiveness. Stepping from the smaller chamber, Krasus entered a toothy cavern whose heights readily matched the now lost towers of Dalaran. An army could have bivouacked in the cavern and not filled it.

Just the right size for a dragon.

Krasus stretched his arms...and as he did, his tapering fingers lengthened farther, becoming taloned. His back arched and from near the shoulders erupted twin growths that quickly transformed into fledgling wings. His long features stretched, turning reptilian.

Throughout all these lesser changes, Krasus's form expanded. He became four, five, even ten times the size of a man and continued to grow. Any semblance to a human or elf quickly faded.

From wizard, Krasus became Korialstrasz, dragon.

But -- in the very mid...

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0 of 0 people found the following review helpful.
Warcraft stories in general at not particularly good. This one is especially bad
By ed mcdaniel
Warcraft stories in general at not particularly good. This one is especially bad.... Even set with low expectations, it still could not deliver.

0 of 0 people found the following review helpful.
excellent
By B. Dilworth
a great read! couldn't put it down

0 of 2 people found the following review helpful.
WoW Novel
By Ronald L. Matthews
Fits well within and expands the World of Warcraft for the reader, offering a wealth of pertinent details for the new kids on the block to WoW

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Jumat, 07 Januari 2011

[V470.Ebook] Free PDF Rudolph the Red-nosed Reindeer, by Barbara Shook Hazen

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Rudolph the Red-nosed Reindeer, by Barbara Shook Hazen

  • Published on: 1973
  • Binding: Hardcover

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Sabtu, 01 Januari 2011

[T489.Ebook] Download PDF American Gods, by Neil Gaiman

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American Gods, by Neil Gaiman

The storm was coming....

Shadow spent three years in prison, keeping his head down, doing his time. All he wanted was to get back to the loving arms of his wife and to stay out of trouble for the rest of his life. But days before his scheduled release, he learns that his wife has been killed in an accident, and his world becomes a colder place.

On the plane ride home to the funeral, Shadow meets a grizzled man who calls himself Mr. Wednesday. A self-styled grifter and rogue, Wednesday offers Shadow a job. And Shadow, a man with nothing to lose, accepts.

But working for the enigmatic Wednesday is not without its price, and Shadow soon learns that his role in Wednesday's schemes will be far more dangerous than he ever could have imagined. Entangled in a world of secrets, he embarks on a wild road trip and encounters, among others, the murderous Czernobog, the impish Mr. Nancy, and the beautiful Easter -- all of whom seem to know more about Shadow than he himself does.

Shadow will learn that the past does not die, that everyone, including his late wife, had secrets, and that the stakes are higher than anyone could have imagined.

All around them a storm of epic proportions threatens to break. Soon Shadow and Wednesday will be swept up into a conflict as old as humanity itself. For beneath the placid surface of everyday life a war is being fought -- and the prize is the very soul of America.

As unsettling as it is exhilarating, American Gods is a dark and kaleidoscopic journey deep into myth and across an America at once eerily familiar and utterly alien. Magnificently told, this work of literary magic will haunt the reader far beyond the final page.

  • Sales Rank: #5129 in Books
  • Published on: 2001-06-19
  • Released on: 2001-06-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.45" w x 6.13" l,
  • Binding: Hardcover
  • 480 pages

Amazon.com Review
American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.

Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.

Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.

More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton

From Publishers Weekly
Titans clash, but with more fuss than fury in this fantasy demi-epic from the author of Neverwhere. The intriguing premise of Gaiman's tale is that the gods of European yore, who came to North America with their immigrant believers, are squaring off for a rumble with new indigenous deities: "gods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon." They all walk around in mufti, disguised as ordinary people, which causes no end of trouble for 32-year-old protagonist Shadow Moon, who can't turn around without bumping into a minor divinity. Released from prison the day after his beloved wife dies in a car accident, Shadow takes a job as emissary for Mr. Wednesday, avatar of the Norse god Grimnir, unaware that his boss's recruiting trip across the American heartland will subject him to repeat visits from the reanimated corpse of his dead wife and brutal roughing up by the goons of Wednesday's adversary, Mr. World. At last Shadow must reevaluate his own deeply held beliefs in order to determine his crucial role in the final showdown. Gaiman tries to keep the magical and the mundane evenly balanced, but he is clearly more interested in the activities of his human protagonists: Shadow's poignant personal moments and the tale's affectionate slices of smalltown life are much better developed than the aimless plot, which bounces Shadow from one episodic encounter to another in a design only the gods seem to know. Mere mortal readers will enjoy the tale's wit, but puzzle over its strained mythopoeia. (One-day laydown, June 19)Forecast: Even when he isn't in top form, Gaiman, creator of the acclaimed Sandman comics series, trumps many storytellers. Momentously titled, and allotted a dramatic one-day laydown with a 12-city author tour, his latest will appeal to fans and attract mainstream review coverage for better or for worse because of the rich possibilities of its premise.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
In his latest novel, Gaiman (Neverwhere) explores the vast and bloody landscape of myths and legends where the gods of yore and the neoteric gods of now conflict in modern-day America. The antihero, a man of unusually acute intellect through whose eyes we witness the behind-the-scenes dynamics of human religion and faith, is a convict called Shadow. He is flung into the midst of a supernatural fray of gods such as Odin, Anansi, Loki One-Eye, Thor, and a multitude of other ancient divinities as they struggle for survival in an America beset by trends, fads, and constant upheaval an environment not good for gods. They are joined in this struggle by such contemporary deities as the geek-boy god Internet and the goddess Media. There's a nice plot twist in the end, and the fascinating subject matter and impressive mythic scope are handled creatively and expertly. Gaiman is an exemplary short story writer, but his ventures into novels are also compellingly imaginative. Highly recommended for all libraries. Ann Kim, "Library Journal"
Copyright 2001 Reed Business Information, Inc.

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23 of 24 people found the following review helpful.
I decided I'd better read it
By BBoop
My husband wanted me to read this book for years. I never picked it up. After seeing a preview for the upcoming series, I decided I'd better read it.
I was not disappointed or led astray with my husbands high praise of this book.
As a lover of mythology my whole life, this book was right up my alley and then some.
I loved the characters. I was totally snowed by the plot.
This, for me, was one of those books I felt intense sadness when I reached the final page.
I loved the storytelling vibe of the writing.
Great read. Can't wait for the show and supposedly there's a book two in the works? Can't wait!

5 of 5 people found the following review helpful.
The whole story
By Debra Chaffins
The first time I read this was on its first release and was left feeling frustrated. There were, in my mind, missing pieces. Not enough detail on things that felt important to me, if not to the story. Upon reading this edition, with the missing parts finally in place, it is every bit the story I needed it to be. Excellent tale expertly told.

6 of 6 people found the following review helpful.
Slow Build with a Satisfying Finish from a True Master.
By Josh Gaines
American Gods recently (kind of) passed its ten year anniversary of publication in 2011, prompting a new and revised edition, marketed as the 'Author's Preferred Text.' Gaiman went back to his original manuscript (as he describes in the introduction to this edition) and put some pieces back in that had originally been cut, as well as extended scenes and lengthened dialogue. As with most things (for me), if there is a 'Director's Cut' or an Extended Edition of any sort of media that I am interested in, whether I have experienced the original or not, I'll always choose the longer version. Why wouldn't I want to hear more of the story, or get to see more of the creator's original intended content? This truth made me glad that I had not yet read American Gods, a book I had intended to read for years.

Gods is a difficult book to describe, and an even more difficult book to categorize because it simply does not fit into one genre (as Gaiman himself admits, again in the Introduction). Genres certainly serve a purpose, but in literature, we probably want a little variety, hm? And Gods satisfies that want quite well. It is a tiny bit Horror. There's a hearty dash of Fantasy. It has elements of Sci-Fi. And yet all of these poke their heads into what is essentially a roadtrip novel across America, with an initial premise that sounds like it has nothing to do with anything supernatural.

It is primarily the story of Shadow, a largely apathetic and unconcerned middle-aged man whom, when we meet him, is about to be released from prison. He is there for murder, which he admits to though the details of the crime are never expanded upon. Upon being released, Shadow rushes for home to be rejoined with his beloved wife Laura. For sake of not spoiling anything, let's just say that plan doesn't work out... and what happens instead isn't pretty.

Shadow is approached by a playful and cryptic old man called Wednesday (though it is clearly from an early time that this is not the man's true name) who offers Shadow an equally cryptic job. Newly aimless, Shadow accepts, and it is from there that the two embark on the strangest journey across America you will likely encounter.

Between the main narrative are Coming to America segments. These feature a wide array of individuals from all times of history in one-shot stories recounting, in one form or another, their journey to America. These were some of the richest moments in the whole book, as they display Gaiman's appreciation for history and sheer creativity. American Gods could have stood on its own without these short supplements, but their inclusion certainly enhances the whole experience.

An odd delight of American Gods is that it is not a novel that tells all of its secrets at once (which is generally a good practice in Fiction anyway). In fact, there is a long period where one can hardly be sure exactly what is happening or why the characters are doing what they are doing. While the narrative is enjoyable all the way through, the story is loose, bizarre, and spans many locations where strange practices are held. It feels in some ways more like a series of snapshots than a strictly straightforward, linear plot. It is not until roughly three-quarters of the way through that Gaiman pulls the threads together in a very satisfying close to the book.

I'll be honest in saying there were times when I had trouble sticking with it, precisely for the above-mentioned reason of things feeling a bit disconnected and seemingly included without a clear point. Understand, it does all have a point, it just takes a good while for those reasons to be revealed. There is a chance you'll feel a little lost, mayhap even slightly bored, for certain portions of this book, but know that it is all worth the effort in the end. To put it simply, American Gods is weird, and it is wonderful, and to read it is to set yourself up for a real treat.

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American Gods, by Neil Gaiman PDF