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Title: Men in the Sun and Other Palestinian Stories
Author: Kanafani, Ghassan/ Kilpatrick, Hilary (TRN)
Publisher: Lynne Rienner Pub
Publication Date: 1998/11/01
Number of Pages:
Binding Type: PAPERBACK
Library of Congress: 98046345
- Sales Rank: #105538 in Books
- Brand: Brand: Three Continents Pr
- Published on: 1999-11-01
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.25" w x .25" l, .35 pounds
- Binding: Paperback
- 117 pages
- Used Book in Good Condition
Review
Far from being a simple parable, [Men in the Sun] depicts some often hidden aspects of the complex social and political reality of the Palestinians ... and is also a well-told story.... We should not forget the excellent translation of Hilary Kilpatrick which not only manages to preserve the subtle voice of the narrator, but also matches accurately the sober and lucid prose in Arabic for which Kanafani was hugely admired. --Samir el-Youssef, Banipal
Language Notes
Text: English (translation)
Original Language: Arabic
Most helpful customer reviews
65 of 70 people found the following review helpful.
A literary masterpiece from Palestine
By Giant Panda
This book contains a novella as well as several short stories by the prominent Palestinian author Ghassan Kanafani. Kanafani is known in the Arab world as a literary master, and "Men in the Sun" is deemed by many to be his masterpiece. The book was a tremendous pleasure to read and at the same time intensely thought-provoking. Kanafani's original writing style is brought out beautifully in this excellent translation. In these stories, Kanafani experiments with various literary techniques that were revolutionary in the world of literature at their time (1960s). I particularly enjoy the twists of plot at the end of each story, and how the very last sentence forces me to re-think and re-evaluate my entire understanding of the piece. Seeped in the author's struggle for freedom and for a homeland, these stories reflect a deep understanding of human relationships and the human condition. Yet despite (or perhaps because of) this depth, the main characters tend to always be ordinary human beings - usually from the lower classes. Another feature of "Men in the Sun" is the variation of voice and perspective from paragraph to paragraph. For a moment we are in the head of one character, an old man crossing the desert to Kuwait. The next we're taken back in time to 1948, when that man was forced to leave his country by the ravages of war. Then we're transplanted into the shoes of another character, a young man hitching a ride from Jordan to Iraq. All this is done smoothly enough not to interrupt the narrative, but instead, the perspective of the plot wanders as thoughts naturally wander in one's mind. Truly Kanafani was a master of literary techniques. Few have been able to pack so many ideas and characterization and so much change into a short story.
39 of 41 people found the following review helpful.
Symbolism Within the Sadness
By A Customer
Kanafani, Ghassan, "Men In the Sun and Other Palestinian Stories" (London: Lynne
Rienner Publishers, 1999), pp.115, cloth, $12.99.
The importance of homeland is a theme that runs throughout this emotional collection of stories, written in a manner that expresses both the fear and pain that the Palestinian people felt after 1948. In "Men In the Sun and Other Palestinian Stories", Kanafani creates "everyman" characters, who easily move the reader through their struggling losses of land, occupation, family members, and comfort. Underlying this theme within Kanafani's stories is strong allegory and symbolism. These characteristics can be clearly examined in the first story of the collection, "Men In the Sun".
Kanafani weaves memory with an intense meta-narrative in "Men In the Sun", through three primary characters that reflect the vulnerability, hardship, and loss of Palestinian refugees. Set in 1958, these characters, a young boy of sixteen, a resistance fighter in his twenties, and an old peasant, all dream of leaving behind their painful past and finding new hope in Kuwait. Their destinies collide when they meet a smuggler who promises a safe journey across the border to a new, happier life. Although his greedy attitude and method of transportation frightens the lot, desperation places the three men in his care. The journey holds a tragic ending for these three "everyman" characters, as their beating fists and hearts are muffled into silence.
The author uses time and symbolism in this story to make strong allegorical connections to the concepts of homeland, nature, manhood, and the political meta-narrative. Throughout the plot, specific words and sights cause the men to"flashback", remembering events that took place during the war of 1948. For the smuggler, Abul Khaizuran, it is the traumatic war injury that led him to the operation that rendered him infertile. This injury coincides with the Palestinian loss, and Khaizuran becomes overcome with greed, as he tries to replace his manhood with money. Equally agonizing memories also follow the three men who try to escape to Kuwait. Abu Qais, the older peasant man, is reminded of the groves of trees he once owned in Palestine, as well as of the death of a friend who he admired in the war. The resistance fighter, Assad, has flashback memories of being betrayed by those he trusted because of money, as well as of the life in chains as a resistance fighter, that he left behind. The youngest of the group, Marwan, is constantly remembering his mother and hungry siblings, who were deserted by his father, and who exist as the primary cause of his trip to Kuwait. The story uses these memory flashbacks, as well as altering perspective, to allow the reader a greater understanding of the economic desperation and motivation towards Kuwait, as well as of the jolting contrast between life before and after the war.
The other six stories that make up the collection reflect an equally emotional reaction of the Palestinian people to the 1948 war, through similar symbolism and sad irony. "The Land of Sad Oranges" portrays a father, once successful and proud, who loses his orange trees and becomes a refugee. As he moves his family to their new and diminished location, this man breaks down to an extremely low point. This story of loss and anger ends with the image of a shriveled orange, symbolism again for the hopes and dreams of the Palestinian people. In the short story, "Umm Saad", Kanafani confronts the life of a mother in a Palestinian refugee camp. In this ironic tale, the mother's son holds the dream of becoming a guerrilla soldier, to fight for returning what was lost to his family. His mother sadly supports this goal, one of the few things that she can provide him, while knowing the risk that he is taking. The last story in the book is entitled "A Letter From Gaza", which concerns a decision that many of the Palestinian people have faced in the past. When a childhood friend encourages a man to find success and money in the United States, the other responds with the story of an innocent young girl who lost her leg due to the conflict. In this emotional story, it is stressed that this child's sacrifice must not be lost, but be a reminder of all which has been lost. Instead of joining the friend in America, the other writer tells him instead to return to Gaza, to learn from the amputated leg, and to learn "what existence is worth". Kanafani ends the collection of stories on this note, one of sadness, yet also one of hope.
"Men In the Sun and Other Palestinian Stories" expresses a clear and successful picture of the emotional distress and suffering of the Palestinian people after 1948. This objective is reached through a combination of flashback memory and allegorical symbolism of loss which underlies the majority of the writings. The author, who was a novelist, journalist, teacher, and Palestinian activist, strongly reflects his own experiences and emotions through these significant stories. During this time of conflict within the region, education and understanding of both sides of the issue is so vital, in terms of the political
and social events of the past. Ghassan Kanafani provides an intense and heartfelt combination of both the social and political aspects, in this collection of stories that are as understandable as they are symbolic and unforgettable.
29 of 31 people found the following review helpful.
The tragedy questions
By N.H.A
"Men in the sun", a novel by Ghassan Kanafani, is a story about the suffer of the Palestinian people since 1948 (and earlier in the 20th century). "Men in the sun" is neither a story about Yasser Arafat's legacy and his PLO's sense of politics nor a debate on Oslo and Madrid agreements. The novel is a piece of art that visualizes the Palestinian tragedy and extreme reality.
It is the story of three men's quest for a better life. They plan to migrate from the "occupation cage" to a new "promise land" where they meet the "promised demise" in the desert, a home to Arabs and Bedouins. In this story, the dream of the three main figures of the story represents the dream of every man who loses the feeling of belonging to a certain place at a certain time. To achieve that dream, it requires struggle with harsh circumstances of life. The result is not always guaranteed. Suffer, resistance, commitment, dreams, hope, fatigue, thirst, and death will form a strange, yet unique, amalgam that represents the Palestinian identity.
The symbolism in this story is just intriguing. In fact, the elements of the story symbolize the migration of any man to a "self-imposed exile", where "enforced dreams" replace the simple (yet lost) passion, love, and happiness to form a complex and bitter reality.
The novel ends with a beautiful and so influential paragraph that tries to raise the question of why the 3 men (main figures of the novel) did not try to knock on the walls of their symbolic "prison"? Why did not they call for help?
"Why? Why? Why?"; one may understand The "Whys" of Kanafani at the close of his masterpiece as follows: why did not some of the oppressed people reject the abject reality? Why did not they fight for their life and freedom? Could it be that they were so hopeless and tired, or were they so afraid from going back to the occupied home-land? Did they prefer death to losing their dream?
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