Senin, 09 Juli 2012

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Everyday Technology: Machines and the Making of India's Modernity (science.culture), by David Arnold

In 1909 Mohandas Karamchand Gandhi, on his way back to South Africa from London, wrote his now celebrated tract Hind Swaraj, laying out his vision for the future of India and famously rejecting the technological innovations of Western civilization. Despite his protestations, Western technology endured and helped to make India one of the leading economies in our globalized world. Few would question the dominant role that technology plays in modern life, but to fully understand how India first advanced into technological modernity, argues David Arnold, we must consider the technology of the everyday.�Everyday Technology is a pioneering account of how small machines and consumer goods that originated in Europe and North America became objects of everyday use in India in the late nineteenth and early twentieth centuries. Rather than investigate “big” technologies such as railways and irrigation projects, Arnold examines the assimilation and appropriation of bicycles, rice mills, sewing machines, and typewriters in India, and follows their impact on the ways in which people worked and traveled, the clothes they wore, and the kind of food they ate. But the effects of these machines were not limited to the daily rituals of Indian society, and Arnold demonstrates how such small-scale technologies became integral to new ways of thinking about class, race, and gender, as well as about the politics of colonial rule and Indian nationhood.�Arnold’s fascinating book offers new perspectives on the globalization of modern technologies and shows us that to truly understand what modernity became, we need to look at the everyday experiences of people in all walks of life, taking stock of how they repurposed small technologies to reinvent their world and themselves.

  • Sales Rank: #396715 in Books
  • Published on: 2015-03-17
  • Released on: 2013-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .70" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 232 pages

Review
“Everyday Technology organizes an enormous amount of unfamiliar detail on a hitherto largely neglected subject, reinforced with copious statistics and illustrated with some appealing historical and contemporary images. It is enlivened by apt quotations from novels and films of the period.” (Andrew Robinson Nature)

“Fascinating.” (V. V. Raman, Rochester Institute of Technology Choice)

"In this fascinating study, David Arnold casts his eye over a range of much smaller and humbler machines which, nonetheless, have transformed the “everyday” lives of the people using them. He explores the histories of the bicycle, the sewing machine, the typewriter, the gramophone and the rice mill in the context of colonial India." (Times Literary Supplement)

“Arnold paints a detailed and informative picture of the diffusion and adoption of four ‘small’ technologies embodied in the sewing machine, the bicycle, the typewriter, and the rice mill. Given the smaller size and scope of these goods, and the uses that they were put to, the author’s narrative does not remain mired in the sterile world of officialdom. Instead, he is incessantly led, by the very nature of the task at hand, into the homes, offices, and streets of colonial India; into the life and world of the common man. This focus on the subaltern world, far away from the centers of power, and the author’s masterful rendition of it in lucid prose, is one of the highlights of the book. . . . An interesting and informative work that all students of Indian economic history can read with both profit and pleasure. . . . Arnold’s book is bound to provide an enlightening glimpse into the lives of the common man and his relationship with technology during the later years of British rule in India.” (G. P. Manish, Troy University EH.Net)

“Exploring small technologies that swiftly passed into the realm of everyday life in India, David Arnold’s remarkable book offers nothing less than a new perspective on technology and modernity. Clear, insightful, and compelling from start to finish, Everyday Technology uses the sewing machine, typewriter, bicycle, and rice mill to offer us a history of the ‘subaltern engagement with the machine’ that brings to life the ways that ordinary people wove such new technologies into their everyday existence under conditions of colonialism. Arnold’s attention to the small allows a street-level view of the relationships between technology and race, gender, class, and authority. His focus on ordinary technologies in ordinary life paradoxically provides a deeper understanding of the profundity of the social and technological transformations taking place, adding texture to our understanding of the character and emergence of technological modernities in the twentieth century.”
(Suzanne Moon, University of Oklahoma)

“In an age that has been captivated by the potential and perils of the large-scale, fossil fuel–driven technologies of the industrial watershed, David Arnold reminds us of the pervasive impact of more modest but nonetheless ingenious machines. Drawing on a diverse range of sources and compelling case examples, he explores the transformative effects of small-scale technologies, including bicycles and sewing machines, on the politics, production, social relations, and everyday lives of the peoples of India—and implicitly those of most of humanity over the past half millennium.” (Michael Adas, Rutgers, The State University of New Jersey)

“David Arnold’s brilliant and imaginative history of everyday technology effectively refashions the very story of India’s modernity. The ubiquitous bicycle, the once-popular mechanical sewing machine, the still extant typewriter, and the rice mill that straddles rural-urban divides have all found their historian in the author of Colonizing the Body. Arnold has, once again, broken new ground in South Asian history.” (Dipesh Chakrabarty, University of Chicago)

“Everyday Technology is a lucid, engaging work on acculturation of modern technology in India. Rather than focusing on the usual ‘big’ projects such as railways and hydroelectric plants that require large capital investment, David Arnold takes on the ‘small’ technologies of modern life that changed the everyday lives of millions of Indians. He thus shifts the focus on agency in the history of technology: from inventors to adapters and users, and from an emphasis on how the imperial West viewed its technological other to how India ‘imagined itself.’ Arnold’s erudition and imagination will be attractive to both scholars and lay audiences.”
(Swati Chattopadhyay, University of California, Santa Barbara)

About the Author
David Arnold is professor emeritus of Asian and global history in the Department of History at the University of Warwick. Among his numerous works are Science, Technology and Medicine in Colonial India; Gandhi; and The Tropics and the Traveling Gaze: India, Landscape, and Science, 1800–1856.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Technology seeps as well as floods
By Stephen C. Baer
Interesting clear discussion of sewing machines, bicycles and typewriters in India. A wake up book for those interested in technology. How do these all important aids change society by seeping through as the railroad and telegraph dramatically flood?
Included are references to Gandhi, an interesting leader for us to recognize.

0 of 0 people found the following review helpful.
different perspective. a good read.
By Amazon Customer
Very well written. Unusual insights into the small things leading to major developments in India. Reads well!

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Sabtu, 07 Juli 2012

[S621.Ebook] Free Ebook Production Stage Management for Broadway: From Ideas to Opening Night & Beyond, by Peter Lawrence

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Production Stage Management for Broadway: From Ideas to Opening Night & Beyond, by Peter Lawrence

Getting a new show up and running? Planning a revival? Taking over a long-running show? Going on the road? On Broadway, off Broadway, in regional repertory, or on tour, the only book you need as your professional companion is Peter Lawrence s comprehensive and definitive Production Stage Management for Broadway: From Idea to Opening Night and Beyond.



With this book, Tony Award-winning Peter Lawrence has turned his decades of experience on Broadway into a thoroughly modern approach to the art and business of production stage managing and successfully pursuing a stage manager s career.



Written for a wide range of readers from the beginning stage manager with high school or college experience to the professional assistant stage manager already working in commercial theatre to seasoned Broadway professional Production Stage Management for Broadway is, at its heart, an invaluable map of how to get from the beginning through the end of a production.



Filled with industry-savvy advice, including: Who s who on a stage production and how they all interact; Getting the job; The pre-production period, including pre-rehearsal duties and responsibilities; Production meetings from early conceptualizing through rehearsals and previews: Choosing and organizing a stage management team: Handling rehearsals; Running technical rehearsals; Organizing your calling scripts; Managing previews; Planning for opening night and the critics Structuring the running of an ongoing show.



Plus, indispensable charts and graph templates and examples that include: Production calendar; Musical pit layout; PSM s casting notes format; Daily rehearsal report; Wardrobe breakdown; Prop list; Tech table layout; Ideal layout of the PSM s calling desk; Cues to begin dry tech; Musical calling script; Dance calling script; Daily performance report; Weekly stage manager s report; Weekly schedule

  • Sales Rank: #125141 in Books
  • Published on: 2015-01-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .80" w x 6.90" l, .0 pounds
  • Binding: Paperback
  • 226 pages

Review
At last! This is the book stage managers everywhere have been waiting for. Written by one of the greatest stage managers of our time, it is informative, wise, humorous and real. Peter Lawrence s book will definitely be required reading. --Frank Lombardi, Director of Stage Management Program,University of North Carolina School of the Arts

Skilled stage managers bring structure, flexibility, humor, and theatrical knowledge to their complex work. We expect nothing less from lifer Peter Lawrence. It is a must-read text for all serious stage and production management students. --Elsbeth M. Collins, Associate Professor of Theatre Practice,Director of Production, University of Southern California

From the Inside Flap
Filled with industry-savvy advice, Production Stage Management clearly details everything the seasoned professional, the young professional looking to amp up his or her skills, or the wet-behind-the-ears trainee needs to know, including

Who's who on a stage production and how they all interact

Getting the job

The pre-production period, including pre-rehearsal duties and responsibilities

Production meetings from early conceptualizing through rehearsals and previews

Choosing and organizing a stage management team

Handling rehearsals

Running technical rehearsals

Organizing your calling scripts

Managing previews

Planning for opening night and the critics

Structuring the running of an ongoing show

Indispensable Charts and Graph templates and examples include:

Production calendar

Musical pit layout

PSM's casting notes format

Daily rehearsal report

Wardrobe breakdown

Prop list

Tech table layout

Ideal layout of the PSM's calling desk

Cues to begin dry tech

Dry tech goals

Tech rehearsal goals

Musical calling script

Dance calling script

Daily performance report

Weekly stage manager's report

Weekly schedule

Cast history forms

Commercial shoot schedule

About the Author
Peter Lawrence is a stage manager with over 40 years of experience in the commercial theatre. Working as production stage manager, he originated over 25 Broadway productions, among them Spamalot, Hurlyburly, Sunset Boulevard, Shrek The Musical, and five new plays by Neil Simon. Production stage manager assignments have seen him working in dinner theatre, stock, regional theatres, Broadway, off-Broadway, and national tours. Lawrence has and continues to work with many of the great directors of our time including Mike Nichols, Gene Saks, James Lapine, Sam Mendes, Trevor Nunn, Joe Layton, John Doyle, Marcia Milgrom Dodge, Michael Kidd, Jonathan Kent, and many more. Scenic designers Tony Walton, Santo Loquasto, John Napier, Tim Hatley, David Korins, Rob Howell, and Derek McLane, and lighting designers Tharon Musser, Ken Billington, Jennifer Tipton, Jules Fisher, Peggy Eisenhauer, Don Holder, Hugh Vanstone, and Andrew Bridge have all been part of the design teams of Lawrence s shows. He has also worked with costume designers Theoni V. Aldredge, Susan Hilferty, Tim Hatley, Anthony Powell, William Ivey Long, and Ann Roth, and with sound designers Otts Munderloh, Peter Hylenski, Acme Sound Partners, Abe Jacob, Scott Lehrer, Dan Moses Schreier, and Ken Travis.

Lawrence has managed shows for producers Cameron Mackintosh, Emanuel Azenberg, Fran and Barry Weissler, Kevin McCollum, Ariel Tepper Madover, Bill Haber, Bob Boyett, Robert Whitehead, Robert Fox, and many others. He is the first stage manager ever to have been honored by the Tony Awards and is a recipient of the Del Hughes Lifetime Achievement Award from the Stage Managers Association.

And when there s time, Peter Lawrence enjoys teaching and giving seminars in production stage management at drama departments around the country including Columbia University, University of North Carolina School of the Arts, and the University of Hawaii. He lives in New York City and has four children only one of whom has gone into the theatre.

Most helpful customer reviews

1 of 1 people found the following review helpful.
I loved the stories from Mr Lawrence's vast experience in the ...
By Joel Hatch
Very enjoyable read. I loved the stories from Mr Lawrence's vast experience in the business. A great inside look at putting a Broadway show together.

1 of 1 people found the following review helpful.
An awesome book by an awesome man
By have feet will dance
An awesome book by an awesome man! Privileged to be able to say, "I have worked with the great Peter Lawrence!

1 of 1 people found the following review helpful.
Don't Pass the Stage Door
By Ron Fogel
A Stage Managers' must have. Don't leave home or walk thru the stage door without having read this book.

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Senin, 25 Juni 2012

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  • Sales Rank: #761832 in Books
  • Published on: 2015-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .37" w x 6.00" l, .37 pounds
  • Binding: Paperback
  • 162 pages

Most helpful customer reviews

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Jumat, 22 Juni 2012

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Sara Baartman and the Hottentot Venus: A Ghost Story and a Biography, by Clifton Crais, Pamela Scully



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Sara Baartman and the Hottentot Venus: A Ghost Story and a Biography, by Clifton Crais, Pamela Scully

Displayed on European stages from 1810 to 1815 as the Hottentot Venus, Sara Baartman was one of the most famous women of her day, and also one of the least known. As the Hottentot Venus, she was seen by Westerners as alluring and primitive, a reflection of their fears and suppressed desires. But who was Sara Baartman? Who was the woman who became the Hottentot Venus? Based on research and interviews that span three continents, Sara Baartman and the Hottentot Venus tells the entwined histories of an illusive life and a famous icon. In doing so, the book raises questions about the possibilities and limits of biography for understanding those who live between and among different cultures.

In reconstructing Baartman's life, the book traverses the South African frontier and its genocidal violence, cosmopolitan Cape Town, the ending of the slave trade, the Industrial Revolution, the French Revolution, the Napoleonic Wars, London and Parisian high society, and the rise of racial science. The authors discuss the ramifications of discovering that when Baartman went to London, she was older than originally assumed, and they explore the enduring impact of the Hottentot Venus on ideas about women, race, and sexuality. The book concludes with the politics involved in returning Baartman's remains to her home country, and connects Baartman's story to her descendants in nineteenth- and twentieth-century South Africa.

Sara Baartman and the Hottentot Venus offers the authoritative account of one woman's life and reinstates her to the full complexity of her history.

  • Sales Rank: #625914 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 2010-12-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .57" w x 6.14" l, .80 pounds
  • Binding: Paperback
  • 248 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Starred Review. While the body of Sara Baartman (1789–1815), also known as the Hottentot Venus, has been the subject of intense Western scrutiny (she was regarded as a paradoxical freak of race and sexuality, both alluring and primitive) and exploitation to the point of postmortem dissection, little is known about her life beyond her careers as sideshow exhibit and posthumous icon for a variety of causes, from artifact repatriation to the evils of science. Crais (The Politics of Evil) and Scully (Liberating the Family) chase down obscure references to Baartman's life in South Africa and discover a rich if difficult life: a woman who loved and lost and traveled farther (from Cambedoo and Cape Town to London and Paris) than many of her peers. Her life personifies the shames of colonialism, slavery and gender persecution, but Baartman showed too much independence to be reduced to mere victim or symbol (The more iconic Sara Baartman became, the more she stood for a range of causes, the less complicated her past became). The authors dig deep into the limited remaining evidence but the biography wears its research lightly, a backdrop to this well-written and fascinating story of a woman who remains an elusive figure. (Dec.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Sara Baartman, a young South African woman brought to London in 1810 and displayed seminude to show off her ample bottom, was named the Hottentot Venus by her captors and managers. Historians Crais and Scully examine the cultural context of Baartman’s exploitation in Europe as Westerners grappled with issues of race and sex and later racialized science. Baartman attracted the attention of prominent British abolitionists and French scientists as well as voyeurs. After five years of researching archives and libraries and conducting genealogical research to uncover some of Baartman’s relatives, the authors also look beyond Baartman’s life as a curiosity and an exhibit to explore her life as a woman. Crais and Scully place Baartman’s contributions in such areas�as the�rights of the unlawfully detained, global feminism, and later—when her body was returned to South Africa from France—the politics of indigenous identity. Readers who enjoyed African Queen (2007),�by Rachel Holmes, will appreciate this further examination of the life of an extraordinary woman. --Vanessa Bush

Review
"Professors Clifton Crais and Pamela Scully of Emory University have done an excellent job not only of telling this rebarbative story but of putting it into the context of its time. . . . No one, however, has succeeded as well as Crais and Scully in illuminating not only her important role as icon and symbol but, so important, the human being behind them. Because of their diligent research and their deep understanding of the era in which she lived--along with their sensitivity to our own time and concern--they have truly given us the 'living breathing person' that was 'Sara Baartman, the human being who was ultimately destroyed by an illusion.'"--Martin Rubin, Los Angeles Times

"[Crais and Scully] chase down obscure references to Baartman's life in South Africa and discover a rich if difficult life. The authors dig deep into the limited remaining evidence but the biography wears its research lightly, a backdrop to this well-written and fascinating story of a woman who remains an elusive figure."--Publishers Weekly (Starred Review)

"The authors…look beyond Baartman's life as a curiosity and an exhibit to explore her life as a woman. Crais and Scully place Baartman's contributions in such areas as the rights of the unlawfully detained, global feminism, and later--when her body was returned to South Africa from France--the politics of indigenous identity. Readers who enjoyed African Queen (2007), by Rachel Holmes, will appreciate this further examination of the life of an extraordinary woman."--Vanessa Bush, Booklist

"This is a thrilling, provocative and interesting exploration. The reader learns about how Baartman's life was transformed once she became the Hottentot Venus, and is given a vivid snapshot of what the sociopolitical and ideological climate of Europe was when Baartman reached its shores. Crais and Scully literally recover Baartman--the public spectacle and the 'scientific discovery'--as so much more. Not only is this book a fascinating read, it will also have done much to restore the historical record in Europe and the US. It is an important and necessary contribution to the existing discourse on Sara Baartman's impact on contemporary ideas of race, sexuality and the European conception of primitivity."--Kaila Adia Story, Times Higher Education

"Clifton Crais and Pamela Scully explore the curious juxtaposition of celebrity and degradation that followed Sara Baartman after she was brought to Europe and put on exhibit, an 'ethnopornograhic freak.' But Crais and Scully are interested in much more than the Hottentot Venus; their aim is to honor Baartman, and they do so with biography that is speculative as well as research-driven."--Joe Taylor, Foreword Magazine

"This biography faced a formidable research challenge in resurrecting a forgotten woman. . . . With such a seemingly unknowable subject, the authors refrain from putting words into Sara's mouth. Rather they reconstruct her life and times, placing her in context. . . . Remarkable."--Lucy Sussex, The Age

"The authors stitch together the pieces of Baartman's life--no small task with so little known about the woman herself--and at times veer necessarily toward the speculative. They . . . admirably attempt to look past the symbol to the woman herself, who led an extraordinary life amid rapidly shifting social and scientific cultures."--Julie Biando Edwards, Library Journal

"This meticulously researched book drags Baartman out of the ugly mythology that characterised her European life and restores her to humanity. It is a model biography because the sources for her real life are scarce and the authors, both academics, had to tease a rich life out of very frail strands of information."--Bruce Elder, Sydney Morning Herald

"[Sara Baartman and the Hottentot Venus] stands out for the lengths it goes to present the person behind the myth. Crais and Scully uncovered details unknown or long forgotten about her life before she became the Hottentot Venus, her personal dealings when she was off the stage, and some of the characters who fill out her story. The authors gather these facts together with a narrative style that richly evokes the smells, sights, sounds, and mores of the worlds in which Baartman dwelled."--Susan Frith, Johns Hopkins Magazine

"In this beautifully written and multilayered biography, Emory University professors Crais and Scully distinguish between the woman and the exhibit in order to restore the ghost to her own narrative. Tapping a wide range of archives, the authors reconstruct the Gonaqua society into which she was born and the Cape society where she worked as a domestic servant in the late 18th century before moving on to more familiar European territory."--C. Higgs, Choice

"The authors are to be commended on an illuminating analysis of the complexities of contact between Europeans and other cultures in the somewhat misnamed Age of Enlightenment. They have produced a gripping biography of an extraordinary woman."--Barbara Bush, Women's History Review

"[T]he book is a significant contribution to the literature on Baartman which will become essential reading for anyone interested in her life, as a living woman or academic subject. The impressive archival work that has been used to recapture so much of Baartman's elusive life is illuminating; although necessarily speculative in parts, on the whole, the book's arguments have been grounded in a well-contextualised and evocative history of the Cape region, London and Paris. Given abiding interest in Baartman's life, the book's accessible style will recommend it to a wide audience, both within and outside the halls of academia."--Sadiah Qureshi, Journal of Imperial and Commonwealth History

"Ghosts are by nature elusive; their tales designed to haunt. Yet this rich 'ghost story' cum biography is elegantly turned, contesting accepted notions. It is a valuable contribution."--Maureen Isaacson, Sunday Independent

"Crais and Scully's extensive new research has produced a rich and interesting biography that is a worthwhile read even for those familiar with the story. As well as providing the most detailed account of Baartman's life, the book is an illuminating insight into the broader contexts of colonial society at the Cape. . . . The real achievement of Crais and Scully's book lies in its readability and the fresh insights it provides into the life of one of Africa's most famous women."--Sadiah Qureshi, History Today

"The excellent historical illustrations throughout help the narrative, making the descriptions read like a movie script."--Margaret H. McFadden, Salem Press

"Crais and Scully . . . point us in the direction of more nuanced studies of the relationship between exploitation, complicity and negotiation, and of the relationship between individual lives and the larger social, political and economic landscape in which they are lived. This is an excellent and provocative study that invites debate."--Shireen Hassim, Labor Bulletin

"The great strength of this book is its readability with vivid, even poetic, descriptions of everything from the African landscape and urban community to the theater district of London."--Martin S. Staum, Journal of Modern History

"Crais and Scully have crafted an admirable book--informative, thought-provoking, and a pleasure to read."--Stacey Hynd, Journal of the Historical Association

Most helpful customer reviews

15 of 19 people found the following review helpful.
B E Conekin, PhD in History, University of Michigan, Ann Arbor
By B. E. Conekin
This is an extremely well-written and evocative book based on research in five countries conducted over a number of years by two eminent scholars of African history. It sheds light on not only on one woman's life, but on all sorts of fascinating intellectual questions, including how one should read biography, how to write biography, problems with access to archives, etc. In addition, it also encourages its readers to think very seriously about the big questions -'Enligtenment' questions, if you will - about identity, nations, science, the novel, display and story-telling at its finest. I recommend this book to all intelligent readers. It should reach a very wide audience. READ THIS BOOK FOR YOURSELF!

2 of 2 people found the following review helpful.
Great item!
By Elissa Ellaird
Great book would definitely recommend this to friends and family to read. I have enjoyed the parts that i have read

3 of 5 people found the following review helpful.
Exciting Story Provides New and Unique View on A Complicated History
By Andrew S. Fleming
The story of Sara Baartman is at first seen as quite a cut-and-dry story, involving the exploitation and restraint over a southern African woman around the turn of the 19th century, showcased around Europe as a specimen of the "lower" forms of human kind at the tip of Africa, and touted as the possible link between humans and other animals by scientists. Her life has been used in many contexts since her death, and has most recently stood in the limelight, upon her return to South Africa from Parisian museums, as a glaring symbol of the colonial oppression associated with the late 18th and 19th centuries. What Crais and Scully vividly portray, however, is that Sara Baartman's history is anything but a cut-and-dry account. By extensively surveying primary and secondary sources from across the world, Crais and Scully not only explain the life of Sara Baartman, but also take the reader on a side-by-side voyage with Sara as she went from the rural areas of South Africa to the growing colonial outpost of Cape Town, and then all the way to the metropoles of London and Paris. The book drives home the point the interpretive values held within the field of history, as well as the frequent lack of self-power and choice given posthumously to historical figures. By empowering Sara Baartman, and returning her voice to her after centuries of only others speaking on her behalf, Crais and Scully guide the reader through a questioning of otherwise-assumed historical fact and exploration of the different themes underlying a very prominent character in world history.

This book serves as a wonderful insight into the topics of world history, scientific research, and gender studies. The writing style and storyline superbly captures the continued attention and fascination of the reader, and offers a welcomed change to a field typically inundated with dry, solely analytical role. Crais and Scully's book actively energises the life of Sara Baartman and her role in it, and takes the reader on a trip around a world of the not-so-distant past.

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Rabu, 13 Juni 2012

[L181.Ebook] Download The Politics of Literary Theory: An Introduction to Marxist Criticism, by Philip Goldstein

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The Politics of Literary Theory: An Introduction to Marxist Criticism, by Philip Goldstein

Philip Goldstein examines in this study the politics of a potpourri of modern criticism - new critical, authorial, reader-oriented phenomenological, structuralist, and poststructuralist. In the process, he contends that Marxist and feminist criticism divide these critical approaches along political lines, each position, whether theoretical or practical, fractured along conservative, liberal, and radical lines. From the ranks of contemporary Marxists and feminists, Goldstein surveys the literary criticism of Terry Eagleton, Raymond Williams, Fredric Jameson, Tony Bennett, Gayatri Spivak, Susan Gubar and Sandra Gilbert, Elaine Showalter, Judith Newton and Barbara Johnson. Among the book's distinctive features are Goldstein's examination of the literary import of the complementary relationship between the work of Michel Foucault and that of Louis Althusser, and his exploration of the cultural implications of glasnost and perestroika. Professional criticism, Goldstein points out, no longer occupies a private, neutral realm, but has joined the public, political world.

  • Sales Rank: #8752375 in Books
  • Published on: 1990-04
  • Original language: English
  • Dimensions: 9.50" h x 6.25" w x 1.00" l,
  • Binding: Hardcover
  • 224 pages

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Senin, 11 Juni 2012

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THIS IS THE FIRST HISTORY OF BOOGIE-WOOGIE PIANO, THE INFLUENTIAL STYLE THAT BECAME A NATIONAL PHENOMENON FROM THE LATE '20S THROUGH THE '40S. ORIGINATING IN BARRELHOUSES AND ENTERTAINMENT SPOTS THAT SERVED THE BLACK LABOR FORCE WHO WORKED IN THE LUMBER AND RAILROAD INDUSTRIES THROUGHOUT THE DEEP SOUTH, IT COULD BE HEARD LATER AT RENT PARTIES IN CHICAGO, BUFFET FLAT IN ST. LOUIS, AND OTHER BLACK URBAN CENTERS. WHEN IT ENTERED THE CAFE SOCIETY NIGHTCLUBS OF NEW YORK IN THE '30S, PIANTISTS SUCH AS ALBERT AMMONS, MEADE LUX LEWIS, AND PETER JOHNSON BECAME INTERNATIONAL CELEBRITIES. UNTIL THE EARLY '40S THERE WAS A NATIONAL CRAZE FOR BOOGIE WOOGIE AND ALMOST EVERY BIG BAND HAD A NUMBER WITH THAT NAME IN THE TITLE. IN THE '50S IT FADED QUICKLY BUT NOT BEFORE IT HAD INFLUENCED RHYTHM AND BLUES AND SUCH DISTINCTIVE JAZZ STYLISTS AS EARL HINES. THIS HISTORY STUDIES THE PATTERN OF ITS RISE AND DECLINE, THE DIVERSITY OF ITS PLAYERS-FROM JIMMY YANCEY TO AXEL ZWINGENBERGER-AND FOR THE FIRST TIME OFFERS AN IN-DEPTH LOOK AT THE MUSICAL AND SOCIAL DEVELOPMENT OF THIS ENDURING STYLE. PETER J. SILVESTER, WHO HOLDS A MASTER'S DEGREE FROM THE UNIVERSITY OF SURREY IN ENGLAND, BEGAN TO RESEARCH BOOGIE-WOOGIE IN 1980 AFTER HE REALIZED THE THE DEFINITIVE STUDY HAD NOT YET BEEN ATTEMPTED. THIS BOOK IS THE PRODUCT OF HIS EIGHT YEARS OF RESEARCH..

  • Sales Rank: #1869448 in Books
  • Published on: 1989-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x 1.00" l,
  • Binding: Paperback
  • 238 pages

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If you want information on Boogie-Woogie, Kansas City Piano, or the early glory days of jazz piano, this book is for you. However, the writing is dry & a little difficult to get through.

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Beyond the Willing Suspension of Disbelief: Poetic Faith from Coleridge to Tolkien (New Directions in Religion and Literature), by Michael



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Beyond the Willing Suspension of Disbelief: Poetic Faith from Coleridge to Tolkien (New Directions in Religion and Literature), by Michael

Samuel Taylor Coleridge's conception of "the willing suspension of disbelief" marks a pivotal moment in the history of literary theory. Returning to Coleridge's thought and Shakespeare criticism to reconstruct this idea as a form of "poetic faith", Michael Tomko here lays the foundations of a new theologically oriented mode of literary criticism. Bringing Coleridge into dialogue with thinkers ranging from Augustine to Josef Pieper, contemporary critics such as Stephen Greenblatt and Terry Eagleton as well as writers like J.R.R. Tolkien and Wendell Berry, Beyond the Willing Suspension of Disbelief offers a method of reading for post-secular literary criticism that is not only historically and politically aware but also deeply engaged with aesthetic form.

  • Sales Rank: #1723043 in Books
  • Published on: 2015-11-19
  • Released on: 2015-11-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .50" w x 5.50" l, 1.00 pounds
  • Binding: Hardcover
  • 184 pages

About the Author
Michael Tomko is Associate Professor in the Department of Humanities at Villanova University, USA and book review editor for Religion & Literature. He is the author of British Romanticism and the Catholic Question: Religion, History and National Identity, 1778-1829 (2011) and co-editor of Firmly I Believe and Truly: The Spiritual Tradition of Catholic England, 1483-1999 (2011).

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Beyond the Willing Suspension of Disbelief: Poetic Faith from Coleridge to Tolkien (New Directions in Religion and Literature), by Michael PDF
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